Compton & Batteau - In California (1970/2018)
Artist: Compton & Batteau
Title: In California
Year Of Release: 1970/2018
Label: Columbia/Legacy
Genre: Pop Rock
Quality: 320 kbps | FLAC (tracks)
Total Time: 00:33:34
Total Size: 79 mb | 174 mb
WebSite: Album Preview
Tracklist:Title: In California
Year Of Release: 1970/2018
Label: Columbia/Legacy
Genre: Pop Rock
Quality: 320 kbps | FLAC (tracks)
Total Time: 00:33:34
Total Size: 79 mb | 174 mb
WebSite: Album Preview
01. Laughter Turns to Blue
02. Silk On Steel
03. Honeysuckle
04. Narration 1
05. Elevator
06. Narration 2
07. Homesick Kid
08. Proposition
09. Narration 3
10. Grotto Farm
11. Essa Vanessa
12. Zephyr
13. Narration 4
14. California
In California by name, in California by nature. You ll struggle to find 14 songs more drenched in lazy West Coast sunshine than Compton and Batteau's only album (recorded in 1971 before promptly falling into the abyss of wonderful, overlooked recordings). Fans of Gene Clark, John Phillips, Fraser & Debolt and the like will be well served here, with many of the tracks leaning towards the cowboy balladry these artists share. Completing the line-up with the likes of Randy Meisner (The Eagles, Poco) and Jim Messina (Loggins and Messina, Buffalo Springfield) In California' understandably has an additional proto-yacht rock feel, evoking Late For The Sky era Jackson Browne - though it's the more up-tempo offerings that really showcase the duo's ability to write a tune. Album highlight Homesick Kid is the perfect example of the addictive, melody-led songwriting which really should have earned them stardom, while Honeysuckle and Essa Vanessa bring texture in the form of immaculately orchestrated percussion and additional instrumentation (harpsichord, cowbell). On these occasions the album veers magnificently towards the psychedelic, bringing to mind The West Coast Pop Art Experimental Band. 'Compton And Batteau In California' remains enthused about in quiet corners, by Amazon buyers, on sites like Vinyl History and Small Town Pleasures. It's a forgotten piece of baroque folk caught in time; 47 years after the fact it somehow sounds timeless. Like Cat Stevens with Nick Drake's strings.' - Dave Henderson, MOJO Magazine.....