Charlie Parker - Big Band (1953/2018)
Artist: Charlie Parker
Title: Big Band
Year Of Release: 1953/2018
Label: Verve Label Group
Genre: Jazz
Quality: 320 kbps | FLAC (tracks)
Total Time: 01:07:16
Total Size: 158 mb | 456 mb
WebSite: Album Preview
Tracklist:Title: Big Band
Year Of Release: 1953/2018
Label: Verve Label Group
Genre: Jazz
Quality: 320 kbps | FLAC (tracks)
Total Time: 01:07:16
Total Size: 158 mb | 456 mb
WebSite: Album Preview
01. Temptation
02. Autumn In New York
03. Lover
04. Stella By Starlight
05. Dancing In The Dark (With Studio Chatter)
06. Night And Day
07. I Can't Get Started
08. What Is This Thing Called Love?
09. Almost Like Being In Love
10. Laura
11. In The Still Of The Night (Take 7 / Master)
12. Old Folks (Take 9 / Master)
13. Charlie Parker & Charles Mingus - If I Love Again
14. In The Still Of The Night (Take 3 / Complete)
15. In The Still Of The Night (Take 4 / Complete)
16. In The Still Of The Night (Take 6 / Complete)
17. Old Folks (Take 3 / Complete)
18. Old Folks (Take 6 / Complete)
19. Old Folks (Take 8 / Complete)
20. In The Still Of The Night (Take 2 / Incomplete)
21. In The Still Of The Night (Take 5 / False Start)
22. Old Folks (Take 2 / False Start)
23. Old Folks (Take 4 / Incomplete Into Take 5 / False Start)
24. Old Folks (Take 7 / Incomplete)
A reissue of the original 1952 Clef recording session, this is one of the few instances in Charlie Parker's later career where he played with something other than a small bebop group. Under contract at the time to Clef's Norman Granz, Parker was encouraged by the label to make recordings that took him out of his familiar settings and put him in with string arrangements, Latin rhythms, and larger band formats. This recording is the result of one of these experiments. Though Joe Lipman's arrangements are stellar, the musicians assembled for the sessions are an odd mix of pop-oriented big-band players and improvisers. The album also suffers from the pop orientation of the songs themselves: solos are kept short, and songs limited to a three-minute length that was both radio-friendly and compatible with the 78-rpm format. But when Parker does solo, it is just as magical as any of his earlier recordings. The songs also have a sweet smoothness to them that makes them eminently enjoyable. This record is not perfect, but it still musters up moments of brilliance. The reissue is even more fascinating than the original, containing 10 bonus tracks which are alternative takes of the top singles on the album.