The Pretty Things – The Pretty Things 1967-1971 (1989)
Artist: The Pretty Things
Title: The Pretty Things 1967-1971
Year Of Release: 1989
Label: See For Miles Records
Genre: Garage Rock, Psychedelic Rock, Prog Rock, Rhythm & Blues, Freakbeat
Quality: APE (image, .cue)
Total Time: 48:01
Total Size: 237 Mb (scans)
WebSite: Album Preview
Title: The Pretty Things 1967-1971
Year Of Release: 1989
Label: See For Miles Records
Genre: Garage Rock, Psychedelic Rock, Prog Rock, Rhythm & Blues, Freakbeat
Quality: APE (image, .cue)
Total Time: 48:01
Total Size: 237 Mb (scans)
WebSite: Album Preview
Tracklist:
1. Defecting Grey
2. Mister Evasion
3. Talkin' About the Good Times
4. Walking Through My Dreams
5. Private Sorrow
6. Balloon Burning
7. Good Mr. Square
8. Blue Serge Blues
9. October 26
10. Cold Stone
11. Summertime
12. Circus Mind
13. Stone Hearted Mama
Line-up::
Acoustic Guitar – Frank Holland (3)
Bass – Wally Waller
Drums – Skip Alan
Guitar – Vic Unitt*
Keyboards – John Povey
Lead Guitar – Dick Taylor (2), Pete Tolson
Vocals – John Povey, Phil May, Wally Waller
From 1967-1971 was the most fertile and adventurous period for the Pretty Things. Including both S.F. Sorrow, the first rock opera, and the even greater Parachute, they spread their wings from R&B into psychedelia and found they could soar very high indeed. This compilation of singles and B-sides is, at times, even better than their albums, and charts their rapid progress quite effectively, beginning with the quantum leap of "Defecting Grey," a million miles from "Rosalyn" or "Don't Bring Me Down." The sense of adventure (among other things in the London air) kept spurring them on. Both "Private Sorrow" and "Balloon Burning" from S.F. Sorrow showed a mastery of dynamics, something that turned into a trademark, as did the later harmonies that made "The Good Mr. Square" so effective on Parachute. They didn't need to overpower with volume or distortion. Above all, the band had gelled as a unit of performers and songwriters, penning material that was individual and light years ahead of most of their contemporaries in conception. Both "Cold Stone" and "Circus Mind" could almost be termed proto-metal, locked into powerful riffs. Essentially, the Pretty Things had become a band who could do it all, except become the huge act they deserved to be. While this makes for an informative collection -- the track listing matches The Singles A's & B's -- it's largely been made redundant by the S.F. Sorrow and Parachute reissues, whose bonus tracks are those non-album pieces on here.