Waltraud Meier & Joseph Breinl - Lieder (Remastered) (2007) [Hi-Res]

  • 13 Jan, 14:06
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Artist:
Title: Lieder (Remastered)
Year Of Release: 2007
Label: Farao Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +booklet
Total Time: 01:04:39
Total Size: 279 mb / 1.1 gb
WebSite:

Tracklist
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01. Cacilie (Heinrich Hart), op. 272
02. Winterweihe (Karl Friedrich Henckell), op. 48 N° 4
03. Wie sollten wir geheim sie halten (Adolf Friedrich Graf von Schack), op. 19 N° 4
04. Morgen! (John Henry Mackay), op. 27 N° 4
05. Die Nacht (Hermann von Gilm zu Rosenegg), op. 10 N° 3
06. Befreit (Richard Dehmel), op. 39 N° 4
07. Zueignung (Hermann von Gilm zu Rosenegg), op. 10 N° 1
08. Dem Unendlichen (Friedrich Gottlieb Klopstock), Lfg. 10
09. Wehmut (Matthaus Kasimir von Collin), op. 22 N° 2
10. Die Forelle (Christian Friedrich Daniel Schubart), op. 32
11. Gretchen am Spinnrade (J. W. von Goethe), op. 2
12. Nachtstuck (Johann Baptist Mayrhofer), op. 36 N° 2
13. Erlkonig (J. W. von Goethe), op. 1
14. Vier letzte Lieder, op. 150 - Fruhling (Hermann Hesse)
15. Vier letzte Lieder, op. 150 - September (Hermann Hesse)
16. Vier letzte Lieder, op. 150 - Beim Schlafengehen (Hermann Hesse)
17. Vier letzte Lieder, op. 150 - Im Abendrot (Joseph von Eichendorff)

What’s Waltraud Meier’s secret to her 30 years of international success on stage? “Authentic empathy for the respective part.” she tells us, “This is the only way for the audience to understand its essence.” But it is more than that, it’s her charismatic acting intensity, her acting skills, her elaborate vocal technique, as well as her frenetic singing culture. She is constantly taking up new challenges, working on herself and trying to intuitively grasp a new vocal part. Only when she can fully identify with the song or the part, when the boundaries between the part and the self are blurred, only then can the performance be convincing, says the artist.

With Joseph Breinl, she has found an ingenious partner whose primary concern is to equally learn, develop, and improve new things. They both aim to grasp what is written in the music, what the composer wanted to express. “We are servants of music, not self-exposers!”