Dorothea Röschmann, David Daniels, Fabio Biondi - Pergolesi: Stabat Mater & Salve Regina in F minor (2006)

  • 24 Feb, 09:48
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Artist:
Title: Pergolesi: Stabat Mater & Salve Regina in F minor
Year Of Release: 2006
Label: Virgin Classics / Erato
Genre: Classical
Quality: FLAC (image + .cue, log, scans)
Total Time: 57:08
Total Size: 272 MB
WebSite:

Tracklist:

Giovanni Battista Pergolesi (1710-36)

Stabat Mater, For Soprano, Alto, Strings & Organ In F Major
1. Stabat Mater Dolorosa 3:56
2. Cujus Animam Gementem 2:02
3. O Quam Tristis Et Afflicta 1:53
4. Quae Moerebat Et Dolebat 1:57
5. Quis Est Homo Qui Non Fleret 2:19
6. Vidit Suum Dulcem Natum 3:20
7. Eja Mater, Fons Amoris 2:02
8. Fac Ut Ardeat Cor Meum 1:55
9. Sancta Mater, Istud Agas 4:23
10. Fac Ut Portem Christi Mortem 3:28
11. Inflammatus Et Accensus 1:44
12. Quando Corpus Morietur 4:27

Salve Regina, For Countertenor & Strings In F Minor (doubtful)
13. Salve Regina 3:35
14. Ad Te Clamamus 4:03
15. Eja Ergo, Advocata Nostra 1:18
16. Et Jesum 1:57
17. O Clemens 2:17

Salve Regina, For Soprano, Strings & Organ In A Minor
18. Salve Regina 3:22
19. Ad Te Clamamus 2:03
20. Eja Ergo, Advocata Nostra 2:00
21. O Clemens 2:57

Performers:

Dorothea Röschmann (soprano)
David Daniels (countertenor)

Europa Galante
Fabio Biondi

The market is loaded with recordings of Pergolesi's beautiful, graceful "Stabat Mater" and there are also plenty of versions of both "Salve Regina" selections to choose from. The young Pergolesi, who died at age 26, had a flair for the theater and the "Stabat Mater" was often accused of being too operatic. Fabio Biondi presents it (and the other two pieces) without much sentimentality and he uses a vastly reduced orchestra--a mere three violins, viola, cello, double bass, and theorbo (and organ)--which brings the stark religiosity to the forefront. That is not to say that these pieces aren't sensual as well; soprano Dorothea Röschmann's mesmerizing, warm tone and David Daniel's flawless, forwardly placed countertenor are lush enough to create drama of their own. And Biondi chooses tempi that are quick enough to give each movement thrust while lingering on Pergolesi's dissonances effectively. The two "Salve Regina" selections are scored for one voice each and each soloist shines brightly. Among the many versions of these works, this new set stands out. -- Robert Levine

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