John Scofield - Country For Old Men (2016) [HDtracks]
Artist: John Scofield
Title: Country For Old Men
Year Of Release: 2016
Label: Impulse!
Genre: Contemporary Jazz
Quality: FLAC (tracks) 24 bits/96 kHz
Total Time: 62:37
Total Size: 1.38 GB
WebSite: Album Preview
Tracklist:Title: Country For Old Men
Year Of Release: 2016
Label: Impulse!
Genre: Contemporary Jazz
Quality: FLAC (tracks) 24 bits/96 kHz
Total Time: 62:37
Total Size: 1.38 GB
WebSite: Album Preview
01. Mr Fool
02. Im So Lonesome I Could Cry
03. Bartender's Blues
04. Wildwood Flower
05. Wayfaring Stranger
06. Mama Tried
07. Jolene
08. Faded Love
09. Just A Girl I Used To Know
10. Red River Valley
11. You're Still The One
12. I'm An Old Cowhand
John Scofield - guitar, ukulele (12)
Larry Goldings - piano, Hammond organ
Steve Swallow - bass
Bill Stewart - drums
When guitarist Bill Frisell first began a more decided focus on roots music, bluegrass and country & western music with the release of 1996's Nashville (Nonesuch), despite being largely very well-received, jazz purists rankled when the largely bluegrass/folk-informed album began to garner awards like Downbeat Magazine's Best Jazz Album of the Year. While Frisell's oftentimes Americana-tinged work has, in the ensuing years, become more fully accepted for the wonderful music that it is, fellow six-stringer John Scofield is unlikely to find himself the subject of such purist criticism with Country for Old Men. A play on the Coen Brothers' acclaimed 2007 film No Country for Old Men, a reference to the vast majority of source material on Scofield's first album of entirely non-original music since 2005's That's What I Say: John Scofield Plays The Music Of Ray Charles (Verve), and a not-so-subtle reminder that the 64 year-old guitarist isn't getting any younger, Country for Old Men may demonstrate his clear love of music from songwriters including George Jones, Hank Williams, Merle Haggard, Dolly Parton and Bob Wills, but it is still unequivocally a jazz record...one that may have a touch of twang but also swings mightily on nearly half of its twelve songs.