Cameron Crozman - Britten: Suites pour violoncelle (2019)
Artist: Cameron Crozman
Title: Britten: Suites pour violoncelle
Year Of Release: 2019
Label: Printemps des Arts de Monte-Carlo
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 69:59 min
Total Size: 257 MB
WebSite: Album Preview
Tracklist:Title: Britten: Suites pour violoncelle
Year Of Release: 2019
Label: Printemps des Arts de Monte-Carlo
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 69:59 min
Total Size: 257 MB
WebSite: Album Preview
01. Cello Suite No. 1, Op. 72: I. Canto primo. Sostenuto e largamente
02. Cello Suite No. 1, Op. 72: II. Fuga. Andante moderato
03. Cello Suite No. 1, Op. 72: III. Lamento. Lento rubato
04. Cello Suite No. 1, Op. 72: IV. Canto secondo. Sostenuto
05. Cello Suite No. 1, Op. 72: V. Serenata. Allegretto pizzicato
06. Cello Suite No. 1, Op. 72: VI. Marcia. Alla marcia moderato
07. Cello Suite No. 1, Op. 72: VII. Canto terzo. Sostenuto
08. Cello Suite No. 1, Op. 72: VIII. Bordone. Moderato quasi recitativo
09. Cello Suite No. 1, Op. 72: IX. Moto perpetuo e canto quarto. Presto
10. Cello Suite No. 2, Op. 80: I. Declamato. Largo
11. Cello Suite No. 2, Op. 80: II. Fuga. Andante
12. Cello Suite No. 2, Op. 80: III. Scherzo. Allegro molto
13. Cello Suite No. 2, Op. 80: IV. Andante lento
14. Cello Suite No. 2, Op. 80: V. Ciaccona. Allegro
15. Cello Suite No. 3, Op. 87: I. Introduzione. Lento
16. Cello Suite No. 3, Op. 87: II. Marcia. Allegro
17. Cello Suite No. 3, Op. 87: III. Canto. Con moto
18. Cello Suite No. 3, Op. 87: IV. Barcarolla. Lento
19. Cello Suite No. 3, Op. 87: V. Dialogo. Allegretto
20. Cello Suite No. 3, Op. 87: VI. Fuga. Andante espressivo
21. Cello Suite No. 3, Op. 87: VII. Recitativo. Fantastico
22. Cello Suite No. 3, Op. 87: VIII. Moto perpetuo. Presto
23. Cello Suite No. 3, Op. 87: IX. Passacaglia. Lento solenne
At twenty-three years of age, Canadian cellist Cameron Crozman has chosen the Suites of Benjamin Britten for his first solo disc. Broad and expressive, his playing is characterized both by a formidable technique and a highly personal approach to the repertoire. A natural explorer, Crozman is passionate about the music of our time and often works with contemporary composers. His interpretation of the English composer’s three Cello Suites thus succeeds in harmonizing echoes of Bach’s masterpieces for the instrument and the various other sources of inspiration that nourished these three scores – from the playing of Mstislav Rostropovich to the sarcastic gestures of Dmitri Shostakovich, taking in references to the traditional music of various European and Asiatic countries.
