Eliane Elias - The Best of Eliane Elias, Vol. 1: Originals (2001)
Artist: Eliane Elias
Title: The Best of Eliane Elias, Vol. 1: Originals (2001)
Year Of Release: 2001
Label: Blue Note
Genre: Jazz
Quality: FLAC (tracks) / MP3 320 Kbps
Total Time: 01:05:33
Total Size: 434 Mb / 169 Mb
WebSite: Album Preview
Tracklist: Title: The Best of Eliane Elias, Vol. 1: Originals (2001)
Year Of Release: 2001
Label: Blue Note
Genre: Jazz
Quality: FLAC (tracks) / MP3 320 Kbps
Total Time: 01:05:33
Total Size: 434 Mb / 169 Mb
WebSite: Album Preview
01. Back In Time 5:09
02. A Long Story 5:04
03. Just Kidding 3:47
04. Life Goes On 5:41
05. Caipora 4:44
06. An Up Dawn 3:34
07. Fantasia (To Amanda) 2:28
08. Paulistana 4:37
09. So In Love 5:05
10. The Time Is Now 4:36
11. That's All It Was 4:37
12. Bowing To Bud 5:11
13. Nightimer 6:10
14. At First Sight 4:50
Personnel:
Acoustic Bass – Christian McBride, Lincoln Goines, Marc Johnson (2)
Drums – Carl Allen, Dave Weckl, Jack DeJohnette, Peter Erskine, Portinho, Satoshi Takeishi
Electric Bass – Anthony Jackson, Lincoln Goines, Will Lee
Flugelhorn – Randy Brecker
Flute – Dave Valentin
Guitar – Jon Herington, Oscar Castro-Neves
Percussion – Café, Don Alias, Manolo Badrena, Mino Cinelu Piano, Vocals, Synthesizer, Producer – Eliane Elias
Vocals – Amanda Elias Brecker, Mark Ledford
This best-of collection tellingly starts off with four consecutive, woefully banal tracks from Elias' 1991 album A Long Story. It's certainly her most commercial work; whether it's her best is highly debatable. The disc doesn't get out from under the fluffy wordless vocals and synth pads until track seven, "Fantasia (To Amanda)," a teasingly short duet with bassist Eddie Gomez. Then, from tracks eight through 12 you're on more solid ground, as Elias shows her mettle in more organic settings (before sinking back into the over-produced morass on the final two cuts). With players like Marc Johnson, Peter Erskine, Jack DeJohnette, and Christian McBride present, the musicianship isn't the issue. But front-loading the disc with ear candy and burying the substantial stuff in the middle seems like a rather cynical move.