Charles Bruffy & Phoenix Bach Choir - Shakespeare in Song (2004)
Artist: Charles Bruffy & Phoenix Bach Choir
Title: Shakespeare in Song
Year Of Release: 2004
Label: CHSA 5031
Genre: Classical
Quality: FLAC (image + .cue, log, booklet)
Total Time: 53:53
Total Size: 218 MB
WebSite: Album Preview
Tracklist:Title: Shakespeare in Song
Year Of Release: 2004
Label: CHSA 5031
Genre: Classical
Quality: FLAC (image + .cue, log, booklet)
Total Time: 53:53
Total Size: 218 MB
WebSite: Album Preview
Matthew Harris (b. 1956)
From ‘Shakespeare Songs’
[1] Hark! hark! The lark (Book I No.1)
[2] Tell me where is fancy bred (Book II No.2)
[3] I shall no more to sea (Book V No.1)
[4] When that I was and a little tiny boy (Book V No.4)
[5] It was a lover and his lass (Book III No.1)
[6] O mistress mine! (Book III No.4)
[7] When daffodils begin to peer (Book IV No.3)
Frank Martin (1890–1974)
Songs of Ariel from Shakespeare’s ‘The Tempest’
[8] I. Come unto these yellow sands (Ariel's Song)
[9] II. Full fathom five
[10] III. Before you can say, 'Come', and 'Go'
[11] IV. You are three men of sin
[12] V. Where the bee sucks, there suck I
Steven Sametz (b. 1954)
[13] When he shall die
Jaakko Mäntyjärvi (b. 1963)
[14] 1. Come away, come away, death
[15] 2. Lullaby
[16] 3. Double, double toil and trouble
[17] 4. Full fathom five
Nils Lindberg (b. 1933)
[18] Shall I compare thee to a summer’s day?
Dominick Argento (1927-2019)
[19] Sonnet No. LXIV
Alan Murray (1890–1952)
[20] O mistress mine!
Ralph Vaughan Williams (1872–1958)
Three Shakespeare Songs
[21] 1. Full fathom five
[22] 2. The cloud-capp'd towers
[23] 3. Over hill, over dale
Performers:
Phoenix Bach Choir
Charles Bruffy
• 'This is an entreprising disc from Chandos, which has reached out a long arm to bring in an accomplished Americaan choir. Everything here is likeable both as composition and as performance.' -- Gramophone
• 'great intelligence and sensitivity with snug part-singing, buoyant rhythms, and a tone that shifts easily from deepest gloom to gleaming light. -- Fanfare
• 'great intelligence and sensitivity with snug part-singing, buoyant rhythms, and a tone that shifts easily from deepest gloom to gleaming light. -- Fanfare