Cleveland Orchestra & Pierre Boulez - Pierre Boulez & The Cleveland Orchestra (2017)

20 May, 13:24
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Artist: Cleveland Orchestra, Pierre Boulez
Title: Pierre Boulez & The Cleveland Orchestra
Year Of Release: 2017
Label: Deutsche Grammophon (DG)
Genre: Classical
Quality: flac lossless
Total Time: 08:23:10
Total Size: 1.9 gb
WebSite: Album Preview

Tracklist
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01. Debussy: Nocturnes, L.91-1. Nuages - Pierre Boulez and The Cleveland Orchestra
02. Debussy: Nocturnes, L.91-2. Fêtes - The Cleveland Orchestra and Pierre Boulez
03. Debussy: Nocturnes, L.91-3. Sirènes - Ladies of the Cleveland Orchestra Chorus and Pierre Boulez and The Cleveland Orchestra
04. Debussy: Première Rhapsodie, L. 116-Rêveusement lent - The Cleveland Orchestra & Pierre Boulez & Franklin Cohen
05. Debussy: Jeux (Poème dansé), L.126-Très lent-Scherzando (Tempo initial) - The Cleveland Orchestra and Pierre Boulez
06. Debussy: La Mer, L.109-1. De l'aube à midi sur la mer - The Cleveland Orchestra and Pierre Boulez
07. Debussy: La Mer, L.109-2. Jeux de vagues - The Cleveland Orchestra and Pierre Boulez
08. Debussy: La Mer, L.109-3. Dialogue du vent et de la mer - The Cleveland Orchestra and Pierre Boulez
09. Debussy: Prélude à l'après-midi d'un faune, L. 86 - Pierre Boulez and The Cleveland Orchestra
10. Debussy: Images For Orchestra, L. 122-1. Gigues - The Cleveland Orchestra and Pierre Boulez
11. Debussy: Images For Orchestra, L. 122 / 2. Ibéria-1. Par les rues et par les chemins - Pierre Boulez and The Cleveland Orchestra
12. Debussy: Images For Orchestra, L. 122 / 2. Ibéria-2. Les parfums de la nuit - The Cleveland Orchestra and Pierre Boulez
13. Debussy: Images For Orchestra, L. 122 / 2. Ibéria-3. Le matin d'un jour de fête - The Cleveland Orchestra and Pierre Boulez
14. Debussy: Images For Orchestra, L. 122-3. Rondes de printemps - The Cleveland Orchestra and Pierre Boulez
15. Debussy: Printemps, L.61-1. Très modéré - Pierre Boulez and The Cleveland Orchestra
16. Debussy: Printemps, L.61-2. Modéré - Pierre Boulez and The Cleveland Orchestra
17. Mahler: Symphony No.4 In G-1. Bedächtig. Nicht eilen-Recht gemächlich - The Cleveland Orchestra and Pierre Boulez
18. Mahler: Symphony No.4 In G-2. In gemächlicher Bewegung. Ohne Hast - The Cleveland Orchestra & Pierre Boulez & William Preucil
19. Mahler: Symphony No.4 In G-3. Ruhevoll (Poco adagio) - The Cleveland Orchestra and Pierre Boulez
20. Mahler: Symphony No.4 In G-4. Sehr behaglich: "Wir genießen die himmlischen Freuden" - Juliane Banse and Pierre Boulez and The Cleveland Orchestra
21. Mahler: Symphony No.7 In E Minor-1. Langsam-Allegro - The Cleveland Orchestra and Pierre Boulez
22. Mahler: Symphony No.7 In E Minor-2. Nachtmusik (Allegro moderato) - The Cleveland Orchestra and Pierre Boulez
23. Mahler: Symphony No.7 In E Minor-3. Scherzo - Pierre Boulez and The Cleveland Orchestra
24. Mahler: Symphony No.7 In E Minor-4. Nachtmusik (Andante amoroso) - The Cleveland Orchestra and Pierre Boulez
25. Mahler: Symphony No.7 In E Minor-5. Rondo-Finale (Allegro ordinario-Allegro moderato ma energico) - The Cleveland Orchestra and Pierre Boulez
26. Messiaen: Chronochromie For Large Orchestra-1. Introduction - Pierre Boulez and The Cleveland Orchestra
27. Messiaen: Chronochromie For Large Orchestra-2. Strophe I - The Cleveland Orchestra and Pierre Boulez
28. Messiaen: Chronochromie For Large Orchestra-3. Antistrophe I - The Cleveland Orchestra and Pierre Boulez
29. Messiaen: Chronochromie For Large Orchestra-4. Strophe II - Pierre Boulez and The Cleveland Orchestra
30. Messiaen: Chronochromie For Large Orchestra-5. Antistrophe II - The Cleveland Orchestra and Pierre Boulez
31. Messiaen: Chronochromie For Large Orchestra-6. Epode - The Cleveland Orchestra and Pierre Boulez
32. Messiaen: Chronochromie For Large Orchestra-7. Coda - The Cleveland Orchestra and Pierre Boulez
33. Messiaen: La Ville d'en haut - The Cleveland Orchestra and Pierre Boulez
34. Messiaen: Et exspecto resurrectionem mortuorum-1. Des profondeurs de l'abîme, je crie vers toi, Seigneur: Seigneur, écoute ma voix! - Pierre Boulez and The Cleveland Orchestra
35. Messiaen: Et exspecto resurrectionem mortuorum-2. Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire - The Cleveland Orchestra and Pierre Boulez
36. Messiaen: Et exspecto resurrectionem mortuorum-3. L'heure vient où les morts entendront la voix du Fils de Dieu - The Cleveland Orchestra and Pierre Boulez
37. Messiaen: Et exspecto resurrectionem mortuorum-4. Ils ressusciteront, glorieux, avec un nom nouveau-dans le concert joyeux des étoiles et les acclamations des fils du ciel - The Cleveland Orchestra and Pierre Boulez
38. Messiaen: Et exspecto resurrectionem mortuorum-5. Et j'entendis la voix d'une foule immense... - Pierre Boulez and The Cleveland Orchestra
39. Ravel: Shéhérazade, M.41-1. Asie - Pierre Boulez & The Cleveland Orchestra & Anne Sofie Otter
40. Ravel: Shéhérazade, M.41-Sur des Vers de Tristan Klingsor-2. La flûte enchantée - The Cleveland Orchestra & Anne Sofie Otter & Pierre Boulez
41. Ravel: Shéhérazade, M.41-Sur des Vers de Tristan Klingsor-3. L'indifférent - The Cleveland Orchestra & Pierre Boulez & Anne Sofie Otter
42. Ravel: Le tombeau de Couperin, M.68-1. Prélude - The Cleveland Orchestra and Pierre Boulez
43. Ravel: Le tombeau de Couperin, M.68-2. Forlane - Pierre Boulez and The Cleveland Orchestra
44. Ravel: Le tombeau de Couperin, M.68-3. Menuet - The Cleveland Orchestra and Pierre Boulez
45. Ravel: Le tombeau de Couperin, M.68-4. Rigaudon - The Cleveland Orchestra and Pierre Boulez
46. Ravel: Pavane Pour Une Infante Défunte-Orchestral Version, M. 19 - Pierre Boulez and The Cleveland Orchestra
47. Ravel: Menuet antique-For Orchestra, M.7 - Pierre Boulez and The Cleveland Orchestra
48. Debussy: Danses for Harp and Orchestra, L.103-1. Danse sacrée - Lisa Wellbaum & The Cleveland Orchestra & Pierre Boulez
49. Debussy: Danses for Harp and Orchestra, L.103-2. Danse profane - Lisa Wellbaum & The Cleveland Orchestra & Pierre Boulez
50. Debussy: 5 Poèmes de Charles Baudelaire, L. 64-3. Le jet d'eau - Pierre Boulez & Alison Hagley & The Cleveland Orchestra
51. Debussy: Trois ballades de François Villon, L. 119-1. Ballade de Villon à s'amye - The Cleveland Orchestra & Alison Hagley & Pierre Boulez
52. Debussy: Trois ballades de François Villon, L. 119-2. Ballade que Villon fait à la requeste de sa mère pour prier Nostre Dame - Pierre Boulez & The Cleveland Orchestra & Alison Hagley
53. Debussy: Trois ballades de François Villon, L. 119-3. Ballade des femmes de Paris - The Cleveland Orchestra & Pierre Boulez & Alison Hagley
54. Ravel: Piano Concerto For The Left Hand In D Major, M.82 - Pierre-Laurent Aimard & Pierre Boulez & The Cleveland Orchestra
55. Ravel: Piano Concerto In G Major, M.83-1. Allegramente - The Cleveland Orchestra & Pierre-Laurent Aimard & Pierre Boulez
56. Ravel: Piano Concerto In G Major, M. 83-2. Adagio assai - Pierre-Laurent Aimard & Pierre Boulez & The Cleveland Orchestra
57. Ravel: Piano Concerto In G Major, M. 83-3. Presto - Pierre Boulez and Pierre-Laurent Aimard and The Cleveland Orchestra
58. Stravinsky: Petrouchka-First Tableau - The Cleveland Orchestra and Pierre Boulez
59. Stravinsky: Petrouchka-Second Tableau - Pierre Boulez and The Cleveland Orchestra
60. Stravinsky: Petrouchka-Third Tableau - Pierre Boulez and The Cleveland Orchestra
61. Stravinsky: Petrouchka / Scene 4-Fourth Tableau - The Cleveland Orchestra and Pierre Boulez
62. Stravinsky: Le Sacre du Printemps-Part 1: L'Adoration de la Terre - Pierre Boulez and The Cleveland Orchestra
63. Stravinsky: Le Sacre du Printemps-Part 2: Le Sacrifice - Pierre Boulez and The Cleveland Orchestra

Cleveland, Ohio, is a large port city on Lake Erie founded in 1796. Despite its large population of central European immigrants, it long lacked a full-time professional orchestra and relied mostly on visiting artists. In 1915 the Musical Arts Association (MAA) was founded to facilitate such concerts, but under the guidance of Adella Prentiss Hughes changed its mission to establishing a permanent orchestra. In 1918 the association hired Russian-American conductor Nikolai Sokoloff to bring together the new ensemble. Its first concerts were given in Gray's Armory in downtown Cleveland. Sokoloff ambitiously planned an extensive touring schedule for the orchestra from the outset, and it visited many cities in the eastern United States and Canada, making a Carnegie Hall debut in New York in 1922. Thereafter it performed there annually, and maintained a high-profile reputation among orchestras of the American heartland. In 1931, a permanent home for the orchestra was constructed thanks to a grant by John L. Severance, the MAA president, as a memorial to his wife, who had died unexpectedly. It has clear acoustic properties and a beautiful appearance and was designed with radio broadcasts in mind. Two music directors led the orchestra through the Depression and World War II eras: Artur Rodzinsky (1933-1943) and Erich Leinsdorf (1943-1946). A historical high point in Rodzinsky's tenure was the first American performance of Shostakovich's opera Lady Macbeth of Mtensk, one of the 15 fully staged opera productions Rodzinsky led with the orchestra in his decade of leadership. The fourth music director, George Szell (1946-1970), made the Cleveland Orchestra into one of the most admired symphony orchestras in the world. His often merciless drilling polished it into an ensemble of unsurpassed precision. Under Szell's leadership, the orchestra expanded to 105 players, and its season went from 30 weeks to year-round, including a summer season at the Blossom Music Center in Cuyahoga Falls, OH. Radio station WCLV began its series of nationally broadcast Cleveland Orchestra concerts, now the longest-running such series in the USA. Following Szell's retirement, Pierre Boulez served an interim period as music advisor (1970-1972). American conductor Lorin Maazel, was the orchestra's fourth music director (1972-1982), succeeded by Christoph von Dohnányi (1982-2002) and Franz Welser-Möst. The orchestra has maintained its admired precision while taking on a warmer sound under Maazel and Dohnányi.

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