Bobby Lee Trammell - You Mostest Girl (1995)

  • 01 Jun, 08:58
  • change text size:

Artist:
Title: You Mostest Girl
Year Of Release: 1995
Label: Bear Family Records
Genre: Rock & Roll, Rockabilly
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 58:31
Total Size: 148/220 Mb (covers)
WebSite:

Tracklist:

01. Shirley Lee
02. I Sure Do Love You Baby
03. You Mostest Girl
04. Uh Oh
05. Should I Make Amends
06. My Susie Jane
07. Martha Jane (1)
08. Jenny Lee
09. It's All Your Fault
10. You Mostest Girl (Alt)
11. I Couldn't Believe My Eyes
12. You Stand A Chance Of Losing
13. Love Don't Let Me Down
14. Twenty Four Hours
15. Martha Jane (2)
16. Am I Satisfying You
17. I Tried
18. Just Let Me Love You One More
19. Come On And Love Me
20. If You Don't Wanna You Don't Have To
21. Give Me That Good Lovin'
22. New Dance In France
23. Long Tall Sally
24. When The Saints Go Marchin' In
25. Come On And Love Me (version 2)

If Bobby Lee Trammell is to be believed, he was a rock & roll wildman beyond compare, outpacing even Jerry Lee Lewis in the field of crazed hooliganism. His recordings don't provide much evidence of it, although the energetic "Shirley Lee" is a rockabilly classic. So, too, is "You Mostest Girl," which rewrites Buddy Holly's "(You're So Square) Baby, I Don't Care." Trammell never had any great success at selling records, though, which is reflected in the hodgepodge of labels for which he recorded. You Mostest Girl, a 25-track anthology, collects sides Trammell originally cut for Fabor, Radio, Sims, Capitol, and Sun (the reconstituted Sun Records of the '70s, that is, not Sam Phillips' baby). No particular style or musical identity emerges over the course of the program -- Trammell sounds like Buddy Holly on helium on "Uh Oh," and then an odd pair of fake live recordings reminiscent of Johnny Rivers hails Trammell as "the very first American Beatle." Later he affects an exaggerated Ray Stevens-style voice on "Come on and Love Me." In the mid-'60s Trammell turned toward horn-driven country-soul and, in the '70s, straight country, remaking "You Mostest Girl" as a country song. The sense of stylistic anarchy is only exacerbated by inexplicable sequencing that drops all of the '70s country recordings between the late-'50s and early-'60s rockers. Ian Wallis' liner notes offer an unflattering portrayal of Trammell as a self-destructive, egocentric performer who comes to a humiliating end. As a result, collectors who prize Trammell's early rockabilly classics may come away from You Mostest Girl feeling a little disenchanted.


  • mufty77
  •  20:47
  • Пользователь offline
    • Нравится
    • 0
Many thanks for lossless![hide][/hide]
  • tade
  •  22:41
  • Пользователь offline
    • Нравится
    • 0
hartelijk dank!
  • whiskers
  •  21:02
  • Пользователь offline
    • Нравится
    • 0
Many Thanks