Icon Series - Frank Sinatra & Dean Martin (2019)
Artist: Frank Sinatra & Dean Martin
Title: Icon Series - Frank Sinatra & Dean Martin
Year Of Release: 2019
Label: Harbour Lights
Genre: Jazz, Vocal Jazz
Quality: 320 kbps | FLAC (tracks)
Total Time: 00:58:09
Total Size: 156 mb | 381 mb
WebSite: Album Preview
Tracklist:Title: Icon Series - Frank Sinatra & Dean Martin
Year Of Release: 2019
Label: Harbour Lights
Genre: Jazz, Vocal Jazz
Quality: 320 kbps | FLAC (tracks)
Total Time: 00:58:09
Total Size: 156 mb | 381 mb
WebSite: Album Preview
[03:13] 1. Frank Sinatra - The Lady is a Tramp
[03:05] 2. Dean Martin - That's Amore
[03:40] 3. Frank Sinatra - I've Got You Under My Skin
[02:54] 4. Dean Martin - The Naughty Lady of Shady Lane
[02:08] 5. Frank Sinatra - I've Got the World on a String
[02:22] 6. Dean Martin - Kiss
[03:02] 7. Frank Sinatra - Three Coins in a Fountain
[02:59] 8. Dean Martin - Let Me Go Lover
[02:37] 9. Frank Sinatra - Love & Marriage
[03:01] 10. Dean Martin - Money Burns a Hole in My Pocket
[02:10] 11. Frank Sinatra - Chicago
[02:19] 12. Dean Martin - Mambo Italiano
[02:20] 13. Frank Sinatra - Hey Jealous Lover
[02:40] 14. Dean Martin - Hey Brother Pour the Wine
[02:23] 15. Frank Sinatra - Personality
[02:31] 16. Dean Martin - Powder Your Face With Sunshine (Smile! Smile! Smile!)
[02:35] 17. Frank Sinatra - Make Believe
[02:44] 18. Dean Martin - Under the Bridges of Paris
[02:11] 19. Frank Sinatra - Come Out Wherever You Are
[03:31] 20. Frank Sinatra - Lover Come Back to Me
[02:19] 21. Dean Martin - I'd Cry Like a Baby
[02:16] 22. Frank Sinatra - You'd Be So Nice to Come Home to
[02:25] 23. Dean Martin - Innamorata
[03:15] 24. Frank Sinatra - Yes Indeed
[02:51] 25. Dean Martin - The Man Who Plays the Mandolino
Frank Sinatra was arguably the most important musical figure of the 20th century, his only real rivals for the title being Elvis Presley and the Beatles. In a professional career lasting 60 years, he demonstrated a remarkable ability to maintain his appeal and pursue his musical goals despite countervailing trends. He came to the fore during the swing era of the 1930s and '40s, helped to define the "sing era" of the '40s and '50s, and continued to attract listeners during the rock era that began in the mid-'50s. He scored his first number one hit in 1940 and was still making million-selling recordings in 1994. This popularity was a mark of his success at singing and promoting the American popular song as it was written, particularly in the 1920s, '30s, and '40s. He was able to take the work of great theater composers of that period, such as Jerome Kern, Irving Berlin, George Gershwin, Cole Porter, and Richard Rodgers, and reinterpret their songs for later audiences in a way that led to their rediscovery and their permanent enshrinement as classics. On records and in live performances, on film, radio, and television, he consistently sang standards in a way that demonstrated their perennial appeal.
Enjoying great success in music, film, television, and the stage, Dean Martin was less an entertainer than an icon, the eternal essence of cool. A member of the legendary Rat Pack, he lived and died the high life of booze, broads and bright lights, always projecting a sense of utter detachment and serenity; along with Frank Sinatra, Sammy Davis, Jr. and the other chosen few who breathed the same rarefied air, Martin highball and cigarette always firmly in hand -- embodied the glorious excess of a world long gone, a world without rules or consequences. Throughout it all, he remained just outside the radar of understanding, the most distant star in the firmament; as his biographer Nick Tosches once noted, Martin was what the Italians called a menefreghista "one who simply does not give a f***."
Enjoying great success in music, film, television, and the stage, Dean Martin was less an entertainer than an icon, the eternal essence of cool. A member of the legendary Rat Pack, he lived and died the high life of booze, broads and bright lights, always projecting a sense of utter detachment and serenity; along with Frank Sinatra, Sammy Davis, Jr. and the other chosen few who breathed the same rarefied air, Martin highball and cigarette always firmly in hand -- embodied the glorious excess of a world long gone, a world without rules or consequences. Throughout it all, he remained just outside the radar of understanding, the most distant star in the firmament; as his biographer Nick Tosches once noted, Martin was what the Italians called a menefreghista "one who simply does not give a f***."