Mel Torme And The Marty Paich Dek-Tette - The 1956 Torme-Paich Legendary Sessions (2006)
Artist: Mel Torme And The Marty Paich Dek-Tette
Title: The 1956 Torme-Paich Legendary Sessions
Year Of Release: 2006
Label: Fresh Sound Records
Genre: Vocal Jazz
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 75:09
Total Size: 543 MB
WebSite: Album Preview
Tracklist:Title: The 1956 Torme-Paich Legendary Sessions
Year Of Release: 2006
Label: Fresh Sound Records
Genre: Vocal Jazz
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 75:09
Total Size: 543 MB
WebSite: Album Preview
01. Lulu's Back In Town (3:08)
02. I Love To Watch The Moonlight (2:54)
03. When April Comes Again (3:01)
04. The Carioca (3:20)
05. The Lady Is A Tramp (2:55)
06. When The Sun Comes Out (3:21)
07. Lullaby Of Birdland (4:55)
08. The Blues (3:35)
09. Fascinatin' Rhythm (2:31)
10. Keeping Myself For You (3:45)
11. I Like To Recognize The Tune (3:18)
12. Sing For Your Supper (2:26)
13. Nice Work If You Can Get It (3:12)
14. Something Gotta Give (4:01)
15. A Foggy Day (2:48)
16. A Fine Romance (3:06)
17. Let's Call The Whole Thing Off (3:34)
18. Top Hat, White Tie & Tails (3:14)
19. The Way You Look Tonight (2:25)
20. The Piccolino (2:37)
21. They Can't Take That Away From Me (3:05)
22. Cheek To Cheek (3:02)
23. Let's Face The Music And Dance (2:22)
24. They All Laughed (2:32)
50th Anniversary Commemoration Edition of the TORMÉ-PAICH legendary sessions. A milestone in the history of vocal jazz, with fully illustrated booklet (rare & unpublished photos). The definitive edition.
Fascinated by the sound of the 1953 Gerry Mulligan Ten-tette, Mel Tormé had always felt that these same patterns, re-worked for the proper vocalist, could blend voice and instrument to the mutual satisfaction of both. In 1956, this idea became a reality. The task of selecting musicians who could produce this sound was given to the versatile pianist-arranger Marty Paich who, in fact, co-featured with Mel on these recordings.The voice of Mel, Marty Paichs arrangements and his Dek-tette all blend to produce an outstanding jazz-oriented sound and feeling. Although five decades have passed, these masterpieces remain universally acknowledged as a milestone in the history of vocal jazz.
Fascinated by the sound of the 1953 Gerry Mulligan Ten-tette, Mel Tormé had always felt that these same patterns, re-worked for the proper vocalist, could blend voice and instrument to the mutual satisfaction of both. In 1956, this idea became a reality. The task of selecting musicians who could produce this sound was given to the versatile pianist-arranger Marty Paich who, in fact, co-featured with Mel on these recordings.The voice of Mel, Marty Paichs arrangements and his Dek-tette all blend to produce an outstanding jazz-oriented sound and feeling. Although five decades have passed, these masterpieces remain universally acknowledged as a milestone in the history of vocal jazz.
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