Tedi Papavrami - Bartók: Violin Concerto No. 2 in B Major, Sz. 112 & Concerto for Orchestra, Sz. 116 (2015) [Hi-Res]

Tracklist
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01. Violin Concerto No. 2 in B Major, Sz. 112: I. Allegro non troppo
02. Violin Concerto No. 2 in B Major, Sz. 112: II. Andante tranquillo
03. Violin Concerto No. 2 in B Major, Sz. 112: III. Allegro molto
04. Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo)
05. Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando)
06. Concerto for Orchestra, Sz. 116: III. Elegia (Andante non troppo)
07. Concerto for Orchestra, Sz. 116: IV. Intermezzo Interrotto (Allegretto)
08. Concerto for Orchestra, Sz. 116: V. Finale (Pesante-Presto)

After two first recordings released by Zig-Zag Territoires and devoted to Ravel, Mussorgsky and Rimsky-Korsakov, Emmanuel Krivine and the Luxembourg Philharmonic Orchestra devote this CD to two emblematic works from the end of Bartók’s life: the Violin Concerto No.2, first performed in 1939, and the Concerto for Orchestra, premiered in 1944. These are absolutely major works both in Bartók’s catalogue and from this period in the history of music, and are, moreover, close to the universe of Emmanuel Krivine. For the Violin Concerto, it is Tedi Papavrami who was invited by both the Orchestra and by Zig-Zag Territoires. Let us recall the astonishing recording that Tedi Papavrami recently made of Eugène Ysaÿe’s complete violin sonatas for this label.

These are absolutely major works both in Bartók’s catalogue and from this period in the history of music, and are, moreover, close to the universe of Emmanuel Krivine. For the Violin Concerto, it is Tedi Papavrami who was invited by both the Orchestra and by Zig-Zag Territoires. Let us recall the astonishing recording that Tedi Papavrami recently made of Eugène Ysaÿe’s complete violin sonatas for this label.

After two first recordings released by Zig-Zag Territoires and devoted to Ravel, Mussorgsky and Rimsky-Korsakov, Emmanuel Krivine and the Luxembourg Philharmonic Orchestra devote this CD to two emblematic works from the end of Bartók’s life: the Violin Concerto No.2, first performed in 1939, and the Concerto for Orchestra, premiered in 1944. These are absolutely major works both in Bartók’s catalogue and from this period in the history of music, and are, moreover, close to the universe of Emmanuel Krivine. For the Violin Concerto, it is Tedi Papavrami who was invited by both the Orchestra and by Zig-Zag Territoires. Let us recall the astonishing recording that Tedi Papavrami recently made of Eugène Ysaÿe’s complete violin sonatas for this label.

These are absolutely major works both in Bartók’s catalogue and from this period in the history of music, and are, moreover, close to the universe of Emmanuel Krivine. For the Violin Concerto, it is Tedi Papavrami who was invited by both the Orchestra and by Zig-Zag Territoires. Let us recall the astonishing recording that Tedi Papavrami recently made of Eugène Ysaÿe’s complete violin sonatas for this label.

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