Herbert Blomstedt, Gewandhausorchester Leipzig, MDR Rundfunkchor, GewandhausChor, GewandhausKinderchor - Beethoven: The Complete Symphonies (2017) [Hi-Res]
Artist: Herbert Blomstedt, Gewandhausorchester Leipzig, MDR Rundfunkchor, GewandhausChor, GewandhausKinderchor
Title: Beethoven: The Complete Symphonies
Year Of Release: 2017
Label: Accentus Music
Genre: Classical
Quality: flac lossless / flac 24bits - 48.0kHz +Booklet
Total Time: 05:48:50
Total Size: 1496 / 3327 mb
WebSite: Album Preview
TracklistTitle: Beethoven: The Complete Symphonies
Year Of Release: 2017
Label: Accentus Music
Genre: Classical
Quality: flac lossless / flac 24bits - 48.0kHz +Booklet
Total Time: 05:48:50
Total Size: 1496 / 3327 mb
WebSite: Album Preview
CD1
01. Symphony No. 1 in C Major, Op. 21: I. Adagio Molto. Allegro Con Brio
02. Symphony No. 1 in C Major, Op. 21: II. Andante Cantabile Con Moto
03. Symphony No. 1 in C Major, Op. 21: III. Allegro Molto E Vivace
04. Symphony No. 1 in C Major, Op. 21: IV. Finale. Adagio. Allegro Molto E Vivace
05. Symphony No. 2 in D Major, Op. 36: I. Adagio. Allegro Con Brio
06. Symphony No. 2 in D Major, Op. 36: II. Larghetto
07. Symphony No. 2 in D Major, Op. 36: III. Scherzo
08. Symphony No. 2 in D Major, Op. 36: IV. Allegro Molto
09. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro Con Brio
10. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Adagio Assai
11. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo
12. Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale: Allegro Molto
13. Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio. Allegro Vivace
14. Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio
15. Symphony No. 4 in B-Flat Major, Op. 60: III. Allegro Molto E Vivace
16. Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro Ma Non Troppo
17. Symphony No. 5 in C Minor, Op. 67: I. Allegro Con Brio
18. Symphony No. 5 in C Minor, Op. 67: II. Andante Con Moto
19. Symphony No. 5 in C Minor, Op. 67: III. Allegro
20. Symphony No. 5 in C Minor, Op. 67: IV. Allegro
CD2
01. Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Allegro Ma Non Troppo
02. Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Andante Molto Moto
03. Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Allegro
04. Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Allegro
05. Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Allegretto
06. Symphony No. 7 in A Major, Op. 92: I. Poco Sostenuto. Vivace
07. Symphony No. 7 in A Major, Op. 92: II. Allegretto
08. Symphony No. 7 in A Major, Op. 92: III. Presto
09. Symphony No. 7 in A Major, Op. 92: IV. Allegro Con Brio
10. Symphony No. 8 in F Major, Op. 93: I. Allegro Vivace E Con Brio
11. Symphony No. 8 in F Major, Op. 93: II. Allegretto Scherzando
12. Symphony No. 8 in F Major, Op. 93: III. Tempo Di Minuetto
13. Symphony No. 8 in F Major, Op. 93: IV. Allegro Vivace
14. Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro Ma Non Troppo E Un Poco Maestoso
15. Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto Vivace. Presto
16. Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio Molto E Cantabile. Andante Moderato
17. Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale. Presto
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In celebration of Herbert Blomstedt’s 90th Birthday in July 2017, Accentus Music releases a new Beethoven cycle that captures the spirit of the long-standing partnership between the legendary conductor laureate and the Gewandhausorchester Leipzig. All nine symphonies, released in a box set containing five CDs, are live recordings made at the Leipzig Gewandhaus between May 2014 and March 2017.
Blomstedt's interpretations of Beethoven are based on a highly responsible handling of the scores and this conductor’s deep love of the truth, in which everything that is superimposed and overtly effective is fundamentally removed. At the same time however, the performances embrace the ethical conscience of the artist with his deep, almost seismographic musical sensibility and a high expressivity.
Blomstedt's interpretations of Beethoven are based on a highly responsible handling of the scores and this conductor’s deep love of the truth, in which everything that is superimposed and overtly effective is fundamentally removed. At the same time however, the performances embrace the ethical conscience of the artist with his deep, almost seismographic musical sensibility and a high expressivity.
