Petyaev-Petyaev - The Double (2019)
Artist: Petyaev-Petyaev
Title: The Double
Year Of Release: 2019
Label: FANCYMUSIC
Genre: Contemporary Jazz
Quality: FLAC (tracks)
Total Time: 1:12:42
Total Size: 481 MB
WebSite: Album Preview
Tracklist: Title: The Double
Year Of Release: 2019
Label: FANCYMUSIC
Genre: Contemporary Jazz
Quality: FLAC (tracks)
Total Time: 1:12:42
Total Size: 481 MB
WebSite: Album Preview
01. Ritual Stone (10:08)
02. Russian Moan (6:38)
03. On High Tones (7:20)
04. Parts (10:45)
05. Equability (4:33)
06. Crawling from Happiness (9:11)
07. Senators (5:17)
08. Lermontov (6:20)
09. Burzum in Gurzuf (12:30)
The brothers Peter and Pavel Petyaev (saxophone and guitar) and Ivan Bashilov (bass guitar) recorded this album with two sets of musicians.
Karina Horhordina (trumpet) and Viktor Tikhonov (drums) tale part in the first four tracks. Here, in free noise improvisations, a lyrical musical narration is often born out of chaos and rage, which is then again replaced by expressionistic blasts of sound. Pavel Petyaev gravitates towards the lyrical pole of this music. Echoes of both Russian folklore and gloomy blues in the spirit of Tom Waits and Mark Ribot can be heard in the guitar chords. Saxophonist and painter Pyotr Petyaev is responsible for shrill and screaming timbres of the ensemble. The way Pyotr plays resembles expressive colors of his paintings.
Drummer Sergey Balashov and pianist Fedor Amirov appear in the second part of the album. Tense roaring bursts and abstract textures in Amirov’s masterly performance are resolved into hip-hop rhythms, funk and melodic musical passages. Poetic and emotional harmonies now and then appear in compositions that formally resemble songs. The vocalist’s place, however, is taken by the roaring saxophone of Peter Petyaev, and a constantly pulsating rhythm section breaks the musical fabric in expressive moments and dances in an irrational whirl.
Karina Horhordina (trumpet) and Viktor Tikhonov (drums) tale part in the first four tracks. Here, in free noise improvisations, a lyrical musical narration is often born out of chaos and rage, which is then again replaced by expressionistic blasts of sound. Pavel Petyaev gravitates towards the lyrical pole of this music. Echoes of both Russian folklore and gloomy blues in the spirit of Tom Waits and Mark Ribot can be heard in the guitar chords. Saxophonist and painter Pyotr Petyaev is responsible for shrill and screaming timbres of the ensemble. The way Pyotr plays resembles expressive colors of his paintings.
Drummer Sergey Balashov and pianist Fedor Amirov appear in the second part of the album. Tense roaring bursts and abstract textures in Amirov’s masterly performance are resolved into hip-hop rhythms, funk and melodic musical passages. Poetic and emotional harmonies now and then appear in compositions that formally resemble songs. The vocalist’s place, however, is taken by the roaring saxophone of Peter Petyaev, and a constantly pulsating rhythm section breaks the musical fabric in expressive moments and dances in an irrational whirl.