Muscle Tough - Modern Romance (2019)

  • 12 Aug, 19:24
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Artist:
Title: Modern Romance
Year Of Release: 2019
Label: Muscle Tough
Genre: Jazz-Funk, Psychedelic, Experimental
Quality: FLAC (tracks)
Total Time: 34:22
Total Size: 217 MB
WebSite:

Tracklist:

01. Tiers of Voyeurism Level 1 (1:20)
02. Say Yes to the Mess (6:53)
03. Down 2 Clown (3:41)
04. Tiers of Voyeurism Level 2 (1:05)
05. Waiting 4 Bae (6:37)
06. Tiers of Voyeurism Level 3 (1:21)
07. We Met on Chat Roulette (5:43)
08. Marry Me Marsha (5:19)
09. Tiers of Voyeurism Level 4 (2:23)

After steadily gigging at local jazz hotspot TIME since they 1st formed in 2014, the band released their first EP, Greasin’ Up The Mediocrity Wheel in the spring of 2016. A number of jam luminaries such as Jon Fishman (Phish), John Medeski (Medeski, Martin & Wood), Eli Winderman (Dopapod) and the horn section of Snarky Puppy have joined them on various stages throughout the last three years. Their first full-length record Magical Achievements was released at the end of 2017, which earned them opening slots for Lotus(at the Capitol Theater) and Matador Soul Sounds (throughout the Northeast), a set for WXPN’s “Free-at-Noon” radio broadcast in August 2018, and a feature article in JUMP Philly, where they were lovingly described as “highly skilled and hilarious”.

Modern Romance kicks off with a 90-second snippet of an apparently 20-minute-long jam that arose spontaneously while tracking at Turtle Studios in Philadelphia. Several snippets from this jam appear under the moniker “Tiers of Voyeurism” and are crackling with reckless energy and heavy grooves. The first two proper compositions, “Say Yes To The Mess” and “Down 2 Clown” invite the listener into up-tempo, Devo-meets-The Police dance grooves with increasingly disturbing psychedelic guitar textures spun out by Bellenoit. The Colman-penned “Waiting 4 Bae” offers a well-earned slow down in tempo and allows the composer to showcase what the band has dubbed “The Switch” (where the two pitch their respective instruments to opposing octaves to sound like each other, so that Colman can unleash some serious improvising, foregoing the much-maligned genre of “bass solos”). Also featured on this track are trumpeter Koofreh Ibi Umoren, trombonist Hailey Brinnel, and flautist David Fishkin, adding color and shade to the song. The final two major compositions, Baldacci’s “We Met On Chat Roulette” and Bellenoit’s “Marry Me Marsha” offer the band to a chance to really dig in and let Bellenoit showcase some virtuosic guitar playing.