Star Spangled Banger - Star Spangled Banger (Reissue) (1973/2008)

Artist: Star Spangled Banger
Title: Star Spangled Banger
Year Of Release: 1973/2008
Label: Aztec Music
Genre: Psychedelic Rock, Prog Rock
Quality: Flac (tracks, .cue, log)
Total Time: 52:20
Total Size: 356 Mb (scans)
WebSite: Album Preview
Title: Star Spangled Banger
Year Of Release: 1973/2008
Label: Aztec Music
Genre: Psychedelic Rock, Prog Rock
Quality: Flac (tracks, .cue, log)
Total Time: 52:20
Total Size: 356 Mb (scans)
WebSite: Album Preview

Tracklist:
01. Fear Of The Night 03:52
02. Question Of The Country 04:15
03. Run 02:26
04. Fancy Underpants 01:03
05. Suite 3 05:26
06. Protestor Man 01:53
07. Sailing 03:10
08. Country Son 01:54
09. Pull Together 03:01
10. One Out, Two In 03:43
11. Continental 04:51
12. Don’t You 03:32
13. Thanks To You 03:40
14. Star Spangled Banger 05:05
Bonus Track:
15. Star Spangled Banger - Previously Unreleased Edit 04:20
Line-up::
John Brownrigg - vocals, guitar
Ron Walters - vocals, piano, organ
Paul Doo - drums
Star Spangled Banger was a short-lived studio project that resulted in a sole, self-titled album and single in 1973. With the record company closing soon after its release, the album was quickly deleted.
Principal songwriter John Brownrigg originally hailed from Liverpool and had played in several bands during the Merseybeat boom of the early ’60s — as his own brick on the Cavern Club wall of fame attests. The band were put into the studio with engineer/producer Gil Matthews.
Armed with a stack of sound effects records, the album was recorded at odd hours and resulted in an eclectic mix of progressive rock, protest songs and ballads — with a healthy dose of humor (witness: ‘Fancy Underpants!’). Added to this mix are: explosions, backwards tapes, crazy keyboards, nuclear explosions, crashing aeroplanes and fuzzed-out psych guitar.
Principal songwriter John Brownrigg originally hailed from Liverpool and had played in several bands during the Merseybeat boom of the early ’60s — as his own brick on the Cavern Club wall of fame attests. The band were put into the studio with engineer/producer Gil Matthews.
Armed with a stack of sound effects records, the album was recorded at odd hours and resulted in an eclectic mix of progressive rock, protest songs and ballads — with a healthy dose of humor (witness: ‘Fancy Underpants!’). Added to this mix are: explosions, backwards tapes, crazy keyboards, nuclear explosions, crashing aeroplanes and fuzzed-out psych guitar.