Atle Nymo - Solo for Trio (2019) Hi Res
Artist: Atle Nymo
Title: Solo for Trio
Year Of Release: 2019
Label: Losen Records
Genre: Jazz
Quality: 320 kbps | FLAC (tracks) | 24Bit/48 kHz FLAC
Total Time: 00:39:24
Total Size: 90 mb | 190 mb | 419 mb
WebSite: Album Preview
Tracklist:Title: Solo for Trio
Year Of Release: 2019
Label: Losen Records
Genre: Jazz
Quality: 320 kbps | FLAC (tracks) | 24Bit/48 kHz FLAC
Total Time: 00:39:24
Total Size: 90 mb | 190 mb | 419 mb
WebSite: Album Preview
01. Balance
02. Chapter 1
03. Round Shape
04. For Atle And Mats
05. Chapter 2
06. Klikk
07. Solo For Trio
08. Chapter 3
09. Nightwalk
Personnel:
Atle Nymo - sax, bass clarinet
Mats Eilertsen - bass
Michaela Antalova - drums, percussion
«Solo for Trio» is Atle Nymo’s first album under his own name, and at the ripe age of 42, the leader at first glance may appear as a late bloomer, a young veteran or possibly something in between. The truth, however, is slightly different.
Blowing his way onto Norway’s young and very vital jazz scene with the award-winning band Motif around the turn of the century, Atle Nymo over the following years established himself as one of the strongest tenor sax voices in Scandinavia. While still a music student, he toured Scandinavia with Pat Metheny and Chick Corea as a member of the Trondheim Jazz Orchestra, and became one of Norway’s most sought-after instrumentalists. His brilliant work can be heard on around 50 albums by a number of artists, including the bands that he still plays in: Ensemble Denada, Motif, I.P.A and Chrome Hill.
Combining his career as a performing musician with the position as Associate Professor at the Norwegian Academy of Music since 2013, Atle Nymo for a long time was too busy (and happy) playing, composing, travelling and teaching to even consider a first album under his own name. However, an urge to delve into a different musical energy eventually gave him a push starting this trio.
“I wanted to explore a musical setting that was more open and subdued than the ones that I usually work within,” says Atle, who cites the energy-sparkling, expressive jazz of the 60’s as the main base for his playing, and saxophonists like John Coltrane, Sonny Rollins, Gato Barbieri and fellow Norwegians Knut Riisnæs and Jan Garbarek among his early influences.
Concentrating more on aspects like tone, timbre and texture, Atle invited the ECM and Hubro-recording bassist/bandleader Mats Eilertsen (b. 1975) and drummer/percussionist Michaela Antalova (b. 1993) to join him in this search for nuances and subtle expression, working within the framework of trio interplay. After a few rehearsals, the trio played their first gig as part of the concert series RAW at the Norwegian Academy of Music in late 2016. From this event, live recordings of the tunes «Balance» and «Solo For Trio» have found their way to this record.
“I have known Mats since our days together at the «Jazzlinja», the jazz studies at the University of Trondheim,” says Atle. “Although we have not played that much together over those 20 years, I have followed his musical development closely and I knew that he would be perfect for this music. He is a very open-minded player who can take the music in so many directions, and the same goes for Michaela. She is from Slovenia, currently living in Norway, and I became aware of her at the Norwegian Academy of Music where she completed her bachelor’s degree a few years ago. Both in her solo concerts and in bands she plays drums in poetic ways that inspire me. It is very exciting for me to work with the kinds of sonic input that she and Mats bring to the table.”
Blowing his way onto Norway’s young and very vital jazz scene with the award-winning band Motif around the turn of the century, Atle Nymo over the following years established himself as one of the strongest tenor sax voices in Scandinavia. While still a music student, he toured Scandinavia with Pat Metheny and Chick Corea as a member of the Trondheim Jazz Orchestra, and became one of Norway’s most sought-after instrumentalists. His brilliant work can be heard on around 50 albums by a number of artists, including the bands that he still plays in: Ensemble Denada, Motif, I.P.A and Chrome Hill.
Combining his career as a performing musician with the position as Associate Professor at the Norwegian Academy of Music since 2013, Atle Nymo for a long time was too busy (and happy) playing, composing, travelling and teaching to even consider a first album under his own name. However, an urge to delve into a different musical energy eventually gave him a push starting this trio.
“I wanted to explore a musical setting that was more open and subdued than the ones that I usually work within,” says Atle, who cites the energy-sparkling, expressive jazz of the 60’s as the main base for his playing, and saxophonists like John Coltrane, Sonny Rollins, Gato Barbieri and fellow Norwegians Knut Riisnæs and Jan Garbarek among his early influences.
Concentrating more on aspects like tone, timbre and texture, Atle invited the ECM and Hubro-recording bassist/bandleader Mats Eilertsen (b. 1975) and drummer/percussionist Michaela Antalova (b. 1993) to join him in this search for nuances and subtle expression, working within the framework of trio interplay. After a few rehearsals, the trio played their first gig as part of the concert series RAW at the Norwegian Academy of Music in late 2016. From this event, live recordings of the tunes «Balance» and «Solo For Trio» have found their way to this record.
“I have known Mats since our days together at the «Jazzlinja», the jazz studies at the University of Trondheim,” says Atle. “Although we have not played that much together over those 20 years, I have followed his musical development closely and I knew that he would be perfect for this music. He is a very open-minded player who can take the music in so many directions, and the same goes for Michaela. She is from Slovenia, currently living in Norway, and I became aware of her at the Norwegian Academy of Music where she completed her bachelor’s degree a few years ago. Both in her solo concerts and in bands she plays drums in poetic ways that inspire me. It is very exciting for me to work with the kinds of sonic input that she and Mats bring to the table.”