Maria Joao Pires, Augustin Dumay - Beethoven: Complete Violin Sonatas (3CD) (2002)

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Title: Beethoven: Complete Violin Sonatas
Year Of Release: 2002
Label: Deutsche Grammophon
Genre: Classical
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 03:52:03
Total Size: 1,01 Gb
WebSite:

Tracklist:

CD 1:
Sonata No. 1 in D major, Op. 12 No. 1
01. I. Allegro con brio
02. II. Tema con variazioni. Andante con moto
03. III. Rondo. Allegro

Sonata No. 2 in A major, Op. 12 No. 2
04. I. Allegro vivace
05. II. Andante piu tosto allegretto
06. III. Allegro piacevole

Sonata No. 4 in A minor, Op. 23
07. I. Presto
08. II. Andante scherzoso piu allegretto
09. III. Allegro molto

Sonata No. 3 in E flat major, Op. 12 No. 3
10. I. Allegro con spirito
11. II. Andante con molta espressione
12. III. Rondo. Allegro molto

CD 2:
Sonata No. 8 in G major, Op. 30 No. 3
01. I. Allegro assai
02. II. Tempo di minuetto, ma molto moderato e grazioso
03. III. Allegro vivace

Sonata No. 5 in F major, Op. 24 'Spring'
04. I. Allegro
05. II. Adagio molto espressivo
06. III. Scherzo. Allegro molto
07. IV. Rondo. Allegro ma non troppo

Sonata No. 9 in A major, Op. 47 'Kreutzer'
08. I. Adagio sostenuto – Presto
09. II. Andante con variazioni [I - IV]
10. III. Presto

CD 3:
Sonata No. 10 in G major, Op. 96
01. I. Allegro moderato
02. II. Adagio espressivo
03. III. Scherzo. Allegro
04. IV. Poco allegretto – Adagio espressivo - Tempo I - Allegro - Poco adagio – Presto

Sonata No. 6 in A major, Op, 30 No. 1
05. I. Allegro
06. II. Adagio molto espressivo
07. III. Allegretto con variazioni [I - VI]

Sonata No. 7 in C minor, Op. 30 No. 2
08. I. Allegro con brio
09. II. Adagio cantabile
10. III. Scherzo. Allegro
11. IV. Finale: Allegro – Presto

Performers:
Augustin Dumay, violin
Maria Joao Pires, piano

Performance for performance, violinist Augustin Dumay and pianist Maria-João Pires' performances of Beethoven's violin sonatas may be just about the greatest set ever recorded. From the exquisite elegance of their Op. 12 set (listen to the elevated intimacy of the central Andante con molto espressione from No. 3), to the infernal energy of their Op. 23 (listen to the pianissimo moto perpetuo in the opening Presto), to the vernal delicacy of their Op. 24 (listen to the spring wind blow through the new leaves in their Adagio molto espressivo, to the myriad beauties of their Op. 30 set (listen to the tender duet in the Adagio molto espressivo in No. 1, the tragic drama of the Finale of No. 2 or the sublime grace of their Tempo di Minuetto of No. 3), to the supreme lyricism of their Op. 96 (listen to each and every artless and effortless note), Dumay and Pires have created deeply impressive and profoundly moving performances. Only the opening movement of their Op. 47 is a disappointment -- a performance not quite at the level of virtuosity that the piece demands -- but their central Andante and their closing Presto are so rapturously ecstatic that they nearly compensate for the slight weakness of the opening movement. As enshrined in Deutsche Grammophon's superbly natural sound, Dumay and Pires have created performances that stand with the Kreisler-Rupp, the Oistrakh-Oborin, Szeryng-Haebler, and the Kremer-Argerich as the very best ever made.





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