Mandy Patinkin - Children and Art (2019) [Hi-Res]
Artist: Mandy Patinkin
Title: Children and Art
Year Of Release: 2019
Label: Nonesuch
Genre: Singer/Songwriter
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-48kHz FLAC (tracks+d.booklet)
Total Time: 46:38
Total Size: 110 / 192 / 431 MB
WebSite: Album Preview
Tracklist:Title: Children and Art
Year Of Release: 2019
Label: Nonesuch
Genre: Singer/Songwriter
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-48kHz FLAC (tracks+d.booklet)
Total Time: 46:38
Total Size: 110 / 192 / 431 MB
WebSite: Album Preview
1. Going to a Town (4:17)
2. Kentucky Avenue (4:38)
3. If I Had a Boat (3:37)
4. From the Air (4:14)
5. So Long Dad (2:55)
6. Children and Art (5:49)
7. To Be of Use (2:29)
8. My Mom (5:20)
9. Wandering Boy (3:04)
10. Fear Itself (3:25)
11. Raggedy Ann (2:19)
12. Refugees/Song of the Titanic (4:37)
This is the first new album from the acclaimed vocalist and actor in over 15 years. Children and Art is a collection of covers that he has performed with the musician/producer Thomas Bartlett. The sparse recordings featuring Mandy’s powerful, almost operatic voice and Bartlett’s eary minimal piano/mellotron playing include covers of a diverse array of artists including Tom Waits, Randy Newman, Rufus Wainright, Teitur, Chocolate Genius, Laurie Anderson, Lyle Lovett and Stephen Sondheim. Mandy will be embarking on a US tour this Fall that will extend into 2020.
About the album, Patinkin explains, “After thirty years my musical collaborator, Paul Ford retired. I wasn’t sure if that meant I would have to as well. But my dear friend Bob Hurwitz [of Nonesuch] introduced me to Thomas Bartlett, who introduced me to an entirely new way of making music … in his studio, hours of playing, singing, and recording, never searching for the illusion of perfection.”
About the album, Patinkin explains, “After thirty years my musical collaborator, Paul Ford retired. I wasn’t sure if that meant I would have to as well. But my dear friend Bob Hurwitz [of Nonesuch] introduced me to Thomas Bartlett, who introduced me to an entirely new way of making music … in his studio, hours of playing, singing, and recording, never searching for the illusion of perfection.”