Gryphon Trio - Schubert: Complete piano trios (2007/2019) [Hi-Res]

  • 01 Dec, 17:04
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Title: Schubert: Complete piano trios
Year Of Release: 2019
Label: Analekta
Genre: Classical
Quality: 24bit-88.2kHz FLAC (tracks+booklet)
Total Time: 01:35:09
Total Size: 1.53 GB
WebSite:

Tracklist:

1. Piano Trio No. 1 in B-flat D. 988, Op. 99: Allegro moderato (10:59)
2. Piano Trio No. 1 in B-flat D. 988, Op. 99: Andante un poco mosso (9:06)
3. Piano Trio No. 1 in B-flat D. 988, Op. 99: Scherzo: Allegro (6:37)
4. Piano Trio No. 1 in B-flat D. 988, Op. 99: Rondo: Allegro vivace - Presto (9:04)
5. Piano Trio in one movement in B-flat D. 28: Allegro (7:56)
6. Piano Trio No. 2 in E-flat, D. 929, Op. 100: Allegro (11:56)
7. Piano Trio No. 2 in E-flat, D. 929, Op. 100: Andante con moto (9:08)
8. Piano Trio No. 2 in E-flat, D. 929, Op. 100: Scherzo: Allegro moderato (6:43)
9. Piano Trio No. 2 in E-flat, D. 929, Op. 100: Allegro moderato (13:32)
10. Piano Trio in E-flat, "Notturno", D. 897, Op. Post. 148: Adagio (10:05)

The Gryphon Trio presents the complete piano trios repertoire by Franz Schubert (1797-1828). With the exception of two one-movement pieces—a very early experimental work (D. 28) and a late “Notturno” (D. 897)—Schubert wrote only two complete trios for piano, violin and cello (D. 898 and D. 929); however, they quickly came to be considered pinnacles of the genre.

The "heavenly length" that Schumann ascribed to Schubert's Great C major Symphony could be applied to numerous other works in the latter's canon, both in temporal and qualitative terms. Schubert's sublime Octet runs more than an hour with all the repeats observed. His piano trios, Opp 99 and 100, aren't quite as expansive, yet they pack enough significant material into their respective four movements to make many symphonies of the period (and beyond) seem ill-nourished.

The Gryphon Trio's new recording of these repertoire staples confirms that Schubert had no reason to second-guess himself when it came to proportion. Both the effusively expressive B flat Trio, D898, Op 99, and hearty E flat Trio, D929,0p 100, unfold with all the inevitability the composer likely hoped to achieve. They contain some of Schubert's most stirring writing, their songful gestures rubbing shoulders with ideas of vigorous inspiration.

The key to success in the trios is lyricism, which the Gryphon musicians acknowledge to flowingly poetic effect. Even when Schubert is at his most playful, these artists maintain a sure sense of singing line, as well as interplay that is as natural as spontaneous conversation.

As played by violinist Annalee Patipatanakoon, cellist Roman Borys and pianist Jamie Parker, the radiance, serenity and vitality in these works come across with a keen blend of sweep and nuance. Balances, so difficult to accomplish in this instrumentation, are carefully set, and each player evidently knows his or her primary or secondary place in the evolving narratives.

Schubert lovers who are taken with his monumental piano trios will relish the single movements he composed early and late in his career for the same complement. The Gryphon players invest the invigorating movement in B flat, D28, and tranquil E flat trio movement entitled Notturno, D897, Op posth 148, with the same zest and affection they bring to the well known works. (Donald Rosenberg, Gramophone)


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