Billy Bland - Let The Little Girl Dance (1992)
Artist: Billy Bland
Title: Let The Little Girl Dance
Year Of Release: 1992
Label: Ace
Genre: Oldies, Early R&B, Soul, Rock & Roll
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 69:09
Total Size: 176/359 Mb (scans)
WebSite: Album Preview
Title: Let The Little Girl Dance
Year Of Release: 1992
Label: Ace
Genre: Oldies, Early R&B, Soul, Rock & Roll
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 69:09
Total Size: 176/359 Mb (scans)
WebSite: Album Preview
Tracklist:
01. Let the Little Girl Dance
02. Chicken Hop
03. Grandma Gave a Party
04. The Fat Man
05. Pardon Me
06. I Had a Dream
07. Chicken in the Basket
08. You Were Born to Be Loved
09. Harmony
10. Can't Stop Her from Dancing
11. Momma Stole the Chicken
12. Flo - Open the Door
13. What's That
14. Oh, You for Me
15. If I Could Be Your Man
16. Everything That Shines Ain't Gold
17. Make Believe Lover
18. My Heart Is on Fire
19. Steady Kind
20. Uncle Bud
21. Keep Talkin' That Sweet Talk
22. You Took My Love for Granted
23. Little Boy Blue
24. I Cross My Heart
25. I Spend My Life Loving You
26. All I Want to Do Is Cry
27. How Many Hearts
28. Do the Bug with Me
29. Let the Little Girl Dance
Billy Bland had a one-shot hit in 1960 with "Let the Little Girl Dance" (number seven), a pop-R&B- early soul mixture very much in the same mold as records from the period by Jackie Wilson, right down to the Latinate "Lonely Teardrops" rhythm. Some of his other singles were in the same style, but Bland (not to be confused with the unrelated Bobby Bland) was actually a pretty versatile vocalist, also purveying R&B, Bo Diddley-styled rock & roll, urban blues, and dance-craze early-'60s rock. He recorded often for Old Town from the mid-'50s through 1963, but though his range was wide, his quality was not. He was a competent journeyman no matter what his genre, never finding another song with the pop hooks of "Let the Little Girl Dance." Or writing one: though he didn't pen "Let the Little Girl Dance," he wrote much of his own material.
Bland began singing shortly after moving to New York in the late
'40s, and made his first records for Imperial in New Orleans in the mid-'50s, as a member of the Bees. They did an early version of Dave Bartholomew's naughty "My Ding-a-Ling" (eventually a hit for Chuck Berry), although when the Bees did it, it was titled "Toy Bell." (It can now be found on the box set Crescent City Soul: The Sound of New Orleans 1947-1974). Bland went solo in 1955, however, beginning his lengthy association with the New York-based Old Town label. "Let the Little Girl Dance" was almost an accident: it was being recorded by Titus Turner, and Bland showed him how to do it in the studio. Unknown to Bland, his demonstration was recorded by Henry Glover, and became the hit, with guitar ace Mickey Baker playing on the session.
Bland tried to vary the "Let the Little Girl Dance" pop-R&B sound on various singles, and also ride the bandwagons of other rock trends, with no success, and made his final Old Town disc in 1963. As of the late '80s, he was running a soul food restaurant in Harlem.
Bland began singing shortly after moving to New York in the late
'40s, and made his first records for Imperial in New Orleans in the mid-'50s, as a member of the Bees. They did an early version of Dave Bartholomew's naughty "My Ding-a-Ling" (eventually a hit for Chuck Berry), although when the Bees did it, it was titled "Toy Bell." (It can now be found on the box set Crescent City Soul: The Sound of New Orleans 1947-1974). Bland went solo in 1955, however, beginning his lengthy association with the New York-based Old Town label. "Let the Little Girl Dance" was almost an accident: it was being recorded by Titus Turner, and Bland showed him how to do it in the studio. Unknown to Bland, his demonstration was recorded by Henry Glover, and became the hit, with guitar ace Mickey Baker playing on the session.
Bland tried to vary the "Let the Little Girl Dance" pop-R&B sound on various singles, and also ride the bandwagons of other rock trends, with no success, and made his final Old Town disc in 1963. As of the late '80s, he was running a soul food restaurant in Harlem.