Andrea Macinanti, Giovanni Battista Fabris & Elena Perera - Opera omnia per organo, Vol. 12: Marco Enrico Bossi (2017)

Tracklist
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CD1
01. Canzona in G Minor (arr. M.E. Bossi for organ)
02. Fugue in A Minor (previously attrib. to G. Frescobaldi) (arr. M.E. Bossi for organ)
03. Breve pensiero elegiaco composto sopra un basso ostinato ricavato da un tema di Fuga del Frescobaldi
04. Fiori Musicali: Toccata per l'elevatione
05. Organ Sonata No. 4: Aria con variazioni (arr. M.E. Bossi)
06. Fuga (arr. M.E. Bossi for organ)
07. Fughetta super Dies sind die heiligen zehen Gebot, BWV 679 (arr. M.E. Bossi for organ)
08. 15 Sinfonias: 3-Part Inventions (Sinfonias), BWV 787-801: Sinfonia No. 9 in F Minor, BWV 795 (arr. M.E. Bossi for organ)
09. Il terzo libro de ricercari: Canzon Ariosa (arr. M.E. Bossi for organ)
10. Violin Sonata No. 3 in A Major, Op. 1 No. 3, HWV 361 (Arr. M.E. Bossi): I. Andante
11. Violin Sonata No. 3 in A Major, Op. 1 No. 3, HWV 361 (Arr. M.E. Bossi): II. Allegro
12. Violin Sonata No. 3 in A Major, Op. 1 No. 3, HWV 361 (Arr. M.E. Bossi): III. Adagio
13. Violin Sonata No. 3 in A Major, Op. 1 No. 3, HWV 361 (Arr. M.E. Bossi): IV. Allegretto moderato
14. Das Orgelbüchlein, BWV 599-644: O Mensch, bewein dein Sunde gross, BWV 622 (arr. M.E. Bossi for violin and organ)
15. Sonata per violino e violoncello (Arr. M.E. Bossi): I. Allegro
16. Sonata per violino e violoncello (Arr. M.E. Bossi): II. Largo
17. Sonata per violino e violoncello (Arr. M.E. Bossi): III. Allegro

CD2
01. Sammlung von Stücken alter italienischer Meister (Arr. M.E. Bossi): Larghetto (Sonata 4. del Bassani di Ferrara) (arr. M.E. Bossi for organ)
02. Sammlung von Stücken alter italienischer Meister (Arr. M.E. Bossi): Fuga (Sonata 2. del Pollaroli di Venezia) (arr. M.E. Bossi for organ)
03. Sammlung von Stücken alter italienischer Meister (Arr. M.E. Bossi): Preludio e Fuga (arr. M.E. Bossi for organ)
04. Sammlung von Stücken alter italienischer Meister (Arr. M.E. Bossi): Toccata cromaticha per le levatione
05. Sammlung von Stücken alter italienischer Meister (Arr. M.E. Bossi): Toccata avanti la Messa della Domenica
06. Sammlung von Stücken alter italienischer Meister (Arr. M.E. Bossi): Il secondo libro di toccate, canzone, versi d'hinni, Magnificat, gagliarde, correnti: Canzona quarta (arr. M.E. Bossi for organ)
07. Sammlung von Stücken alter italienischer Meister (Arr. M.E. Bossi): Elevazione
08. Sammlung von Stücken alter italienischer Meister (Arr. M.E. Bossi): Sonate d'intavolatura, Book I: All'Elevazione in C Major (arr. M.E. Bossi for organ)
09. Sammlung von Stücken alter italienischer Meister (Arr. M.E. Bossi): Aria di Chiesa (attrib. M.E. Bossi)
10. Sammlung von Stücken alter italienischer Meister (Arr. M.E. Bossi): Suonata per il cembalo: Allegro (introductory bars by M.E. Bossi)
11. Sammlung von Stücken alter italienischer Meister (Arr. M.E. Bossi): No. 2. Adagio
12. Sammlung von Stücken alter italienischer Meister (Arr. M.E. Bossi): No. 7. Preludio ed Assai moderato


Within this albu, continuing the last section of the Marco Enrico Bossi complete organ works series dedicated to the transcriptions, the attention is focused on an aspect very important both to the composer and to the Cecilian movement in general: the recovery of the ancient music heritage. In fact, after the excessive power of the Italian opera of those days, two were the aspects for the revival of the instrumental music, sacred and organistic: the alignment to the main European schools, and the rediscovery of the old Italian music school, beacon to the European culture from the Renaissance onwards. In this sense, these "transcriptions of the old masters" revisited by Bossi and adapted to instruments of his time, mark the return to the study of the Italian school of music, making it an integral part and foundation of the modern school. As in the famous phrase by Giuseppe Verdi: "back to the old, it will be progress", a concept followed to the letter by the "generation of eighties." For performing these evocative songs, Andrea Macinanti is playing an organ inaugurated by Marco Enrico Bossi himself in 1893. Giovanni Battista Fabris and Elena Perera work on his side on the scores including strings.

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