Christophe Rousset - J.S. Bach: Harpsichord Works (4CD) (2006)
Artist: Christophe Rousset
Title: J.S. Bach: Harpsichord Works
Year Of Release: 2006
Label: Decca
Genre: Classical
Quality: FLAC (tracks)
Total Time: 04:56:59
Total Size: 2.2 Gb
WebSite: Album Preview
Tracklist: Title: J.S. Bach: Harpsichord Works
Year Of Release: 2006
Label: Decca
Genre: Classical
Quality: FLAC (tracks)
Total Time: 04:56:59
Total Size: 2.2 Gb
WebSite: Album Preview
CD 1
1. J.S. Bach: Goldberg Variations, BWV 988 - Aria
2. J.S. Bach: Goldberg Variations, BWV 988 - Var. 1 a 1 Clav.
3. J.S. Bach: Goldberg Variations, BWV 988 - Var. 2 a 1 Clav.
4. J.S. Bach: Goldberg Variations, BWV 988 - Var. 3 Canone all'Unisono a 1 Clav.
5. J.S. Bach: Goldberg Variations, BWV 988 - Var. 4 a 1 Clav.
6. J.S. Bach: Goldberg Variations, BWV 988 - Var. 5 a 1 ovvero 2 Clav.
7. J.S. Bach: Goldberg Variations, BWV 988 - Var. 6 Canone alla Seconda a 1 Clav.
8. J.S. Bach: Goldberg Variations, BWV 988 - Var. 7 a 1 ovvero 2 Clav.
9. J.S. Bach: Goldberg Variations, BWV 988 - Var. 8 a 2 Clav.
10. J.S. Bach: Goldberg Variations, BWV 988 - Var. 9 Canone alla Terza a 1 Clav.
11. J.S. Bach: Goldberg Variations, BWV 988 - Var. 10 Fughetta a 1 Clav.
12. J.S. Bach: Goldberg Variations, BWV 988 - Var. 11 a 2 Clav.
13. J.S. Bach: Goldberg Variations, BWV 988 - Var. 12 Canone alla Quarta
14. J.S. Bach: Goldberg Variations, BWV 988 - Var. 13 a 2 Clav.
15. J.S. Bach: Goldberg Variations, BWV 988 - Var. 14 a 2 Clav.
16. J.S. Bach: Goldberg Variations, BWV 988 - Var. 15 Canone alla Quinta in moto contrario
17. J.S. Bach: Goldberg Variations, BWV 988 - Var. 16 Ouverture a 1 Clav.
18. J.S. Bach: Goldberg Variations, BWV 988 - Var. 17 a 2 Clav.
19. J.S. Bach: Goldberg Variations, BWV 988 - Var. 18 Canone alla Sesta a 1 Clav.
20. J.S. Bach: Goldberg Variations, BWV 988 - Var. 19 a 1 Clav.
21. J.S. Bach: Goldberg Variations, BWV 988 - Var. 20 a 2 Clav.
22. J.S. Bach: Goldberg Variations, BWV 988 - Var. 21 Canone alla Settima
23. J.S. Bach: Goldberg Variations, BWV 988 - Var. 22 Alla breve a 1 Clav.
24. J.S. Bach: Goldberg Variations, BWV 988 - Var. 23 a 2 Clav.
25. J.S. Bach: Goldberg Variations, BWV 988 - Var. 24 Canone all'Ottava a 1 Clav.
26. J.S. Bach: Goldberg Variations, BWV 988 - Var. 25 a 2 Clav.
27. J.S. Bach: Goldberg Variations, BWV 988 - Var. 26 a 2 Clav.
28. J.S. Bach: Goldberg Variations, BWV 988 - Var. 27 Canone alla Nona
29. J.S. Bach: Goldberg Variations, BWV 988 - Var. 28 a 2 Clav.
30. J.S. Bach: Goldberg Variations, BWV 988 - Var. 29 a 1 ovvero 2 Clav.
31. J.S. Bach: Goldberg Variations, BWV 988 - Var. 30 Quodlibet a 1 Clav.
32. J.S. Bach: Goldberg Variations, BWV 988 - Aria da Capo
CD 2
1. J.S. Bach: Italian Concerto in F, BWV 971 - 1. (Allegro)
2. J.S. Bach: Italian Concerto in F, BWV 971 - 2. Andante
3. J.S. Bach: Italian Concerto in F, BWV 971 - 3. Presto
4. J.S. Bach: Partita (French Overture) for Harpsichord in B minor, BWV 831 - 1. Ouverture
5. J.S. Bach: Partita (French Overture) for Harpsichord in B minor, BWV 831 - 2. Courante
6. J.S. Bach: Partita (French Overture) for Harpsichord in B minor, BWV 831 - 3. Gavotte I-II
7. J.S. Bach: Partita (French Overture) for Harpsichord in B minor, BWV 831 - 4. Passepied I-II
8. J.S. Bach: Partita (French Overture) for Harpsichord in B minor, BWV 831 - 5. Sarabande
9. J.S. Bach: Partita (French Overture) for Harpsichord in B minor, BWV 831 - 6. Bourrée I-II
10. J.S. Bach: Partita (French Overture) for Harpsichord in B minor, BWV 831 - 7. Gigue
11. J.S. Bach: Partita (French Overture) for Harpsichord in B minor, BWV 831 - 8. Echo
12. J.S. Bach: 4 Duets, BWV 802/805 - 1. Duetto I in E minor, BWV 802
13. J.S. Bach: 4 Duets, BWV 802/805 - 2. Duetto II in F, BWV 803
14. J.S. Bach: 4 Duets, BWV 802/805 - 3. Duetto III in G, BWV 804
15. J.S. Bach: 4 Duets, BWV 802/805 - 4. Duetto IV in A minor, BWV 805
16. J.S. Bach: Chromatic Fantasia and Fugue in D minor, BWV 903 - Fantasia
17. J.S. Bach: Chromatic Fantasia and Fugue in D minor, BWV 903 - Fuga.
CD 3
1. J.S. Bach: Partita No.1 In B-Flat Major, BWV 825 - 1. Praeludium
2. J.S. Bach: Partita No.1 In B-Flat Major, BWV 825 - 2. Allemande
3. J.S. Bach: Partita No.1 In B-Flat Major, BWV 825 - 3. Corrente
4. J.S. Bach: Partita No.1 In B-Flat Major, BWV 825 - 4. Sarabande
5. J.S. Bach: Partita No.1 In B-Flat Major, BWV 825 - 5./6. Menuet I-II
6. J.S. Bach: Partita No.1 In B-Flat Major, BWV 825 - 7. Giga
7. J.S. Bach: Partita No.2 In C Minor, BWV 826 - 1. Sinfonia
8. J.S. Bach: Partita No.2 In C Minor, BWV 826 - 2. Allemande
9. J.S. Bach: Partita No.2 In C Minor, BWV 826 - 3. Courante
10. J.S. Bach: Partita No.2 In C Minor, BWV 826 - 4. Sarabande
11. J.S. Bach: Partita No.2 In C Minor, BWV 826 - 5. Rondeau
12. J.S. Bach: Partita No.2 In C Minor, BWV 826 - 6. Capriccio
13. J.S. Bach: Partita No.6 In E Minor, BWV 830 - 1. Toccata
14. J.S. Bach: Partita No.6 In E Minor, BWV 830 - 2. Allemande
15. J.S. Bach: Partita No.6 In E Minor, BWV 830 - 3. Corrente
16. J.S. Bach: Partita No.6 In E Minor, BWV 830 - 4. Air
17. J.S. Bach: Partita No.6 In E Minor, BWV 830 - 5. Sarabande
18. J.S. Bach: Partita No.6 In E Minor, BWV 830 - 6. Tempo di gavotta
19. J.S. Bach: Partita No.6 In E Minor, BWV 830 - 7. Gigue
CD 4
1. J.S. Bach: Partita No.3 In A Minor, BWV 827 - 1. Fantasia
2. J.S. Bach: Partita No.3 In A Minor, BWV 827 - 2. Allemande
3. J.S. Bach: Partita No.3 In A Minor, BWV 827 - 3. Corrente
4. J.S. Bach: Partita No.3 In A Minor, BWV 827 - 4. Sarabande
5. J.S. Bach: Partita No.3 In A Minor, BWV 827 - 5. Burlesca
6. J.S. Bach: Partita No.3 In A Minor, BWV 827 - 6. Scherzo
7. J.S. Bach: Partita No.3 In A Minor, BWV 827 - 7. Gigue
8. J.S. Bach: Partita No.4 In D Major, BWV 828 - 1. Overture
9. J.S. Bach: Partita No.4 In D Major, BWV 828 - 2. Allemande
10. J.S. Bach: Partita No.4 In D Major, BWV 828 - 3. Courante
11. J.S. Bach: Partita No.4 In D Major, BWV 828 - 4. Aria
12. J.S. Bach: Partita No.4 In D Major, BWV 828 - 5. Sarabande
13. J.S. Bach: Partita No.4 In D Major, BWV 828 - 6. Menuet
14. J.S. Bach: Partita No.4 In D Major, BWV 828 - 7. Gigue
15. J.S. Bach: Partita No.5 In G Major, BWV 829 - 1. Praeambulum
16. J.S. Bach: Partita No.5 In G Major, BWV 829 - 2. Allemande
17. J.S. Bach: Partita No.5 In G Major, BWV 829 - 3. Corrente
18. J.S. Bach: Partita No.5 In G Major, BWV 829 - 4. Sarabande
19. J.S. Bach: Partita No.5 In G Major, BWV 829 - 5. Tempo di minuetto
20. J.S. Bach: Partita No.5 In G Major, BWV 829 - 6. Passepied
21. J.S. Bach: Partita No.5 In G Major, BWV 829 - 7. Gigue
Performers:
Christophe Rousset – harpsichord
In the United States, Christophe Rousset's Decca recordings of Bach keyboard works have had a spotty history – here today, gone tomorrow. Fortunately, Decca has now repackaged these recordings into a four-disc set that sells for only $7.00 per disc. However, it's best not to assume that the set will indefinitely be on the U.S. market; in other words, snap it up before it's yanked.
Rousset's Decca/Bach recordings are essential for the Bach serious record collector and anyone else who prizes idiomatic interpretations of some of Bach's most compelling and glorious keyboard works. Rousset's style is generally informed by sharp contours, buoyant rhythms, brilliant phrasing, excellent detail of musical lines, poignant slow movements and very speedy and even wild fast movements. Overall, his interpretations crackle with energy. Another trait I love is that Rousset is often youthful and exuberant while at the same time expressing a full life's experience of regret and disappointment. In this regard, his performances remind me of excellent interpretations of Schumann's Kinderszenen where each note displays the maturity of adulthood as well the wonder of a child.
Disc 1 contains a very aggressive Goldberg Variations, and I love every minute of it. The performance is brash and never dawdles; it has great rhythmic bounce and a compelling musical flow. Although youthful exuberance is in abundance, there is a hardened element that creates a gripping aesthetic contrast. I think of this version as "Bach The Bounty Hunter". He busts through all obstacles and always quickly gets his man.
Rousset plays most of the variations with great rhythmic vitality and exhilaration, making this reviewer want to bounce off the walls. Although Rousset's tempos are significantly faster than the norm, he never allows them to diminish emotional content. In the Aria and those variations not conducive to an exhilarating presentation, Rousset is equally compelling. Listen to the pristine beauty and longing of the Aria, the strong contrast between remorse and salvation in Variation 9, the subtle negativity of Variation 11, the bitter/sweet nature of Variation 13, the pathos in Variation 15, the stunning rays of light in Variation 21, the spiritual side of Variation 24 and the bleak terrains of Variation 25 referred to as the "Black Pearl". Yes, Rousset connects on all cylinders, and I have no problem considering his Goldbergs one of the elite versions on the market.
Disc 2 covers four masterful Bach works, and Rousset applies the same magnificent qualities found in his Goldberg Variations. Each performance is in the top echelon with special notice going to the Italian Concerto's exquisite dialogue in the Andante and the visceral excitement of the Presto. Rousset delivers the most propulsive French Overture on record, his 1st Duet is the most austere and commanding I've ever heard, and his interpretation of the Chromatic Fantasy and Fugue revels in the work's macabre elements.
Discs 3 and 4 contain Bach's 6 Partitas for Keyboard, a rich vein of architectural and emotional variety. In these works I feel that Rousset places greater priority on structural clarity with some dampening of interest in visceral thrills (although there are still many instances of exhilaration). The advantages of clarity reveal that Rousset is both youthful/exuberant and experienced/melancholy in each note and chord he plays. I find the contrasts illuminating and riveting, the result being one of the most rewarding sets on either piano or harpsichord.
As for sound considerations, I am quite pleased that these Decca recordings are much less reverberant than Rousset's recent outings on the Ambroisie label. The Decca sound has plenty of body and depth, and it allows Rousset's sharp phrasing and pin-point articulation to grab hold of the listener.
Don's Conclusions: Except for those allergic to the harpsichord, the Rousset set is an indispensable part of the Bach keyboard enthusiast's music library. These are tremendously vibrant interpretations full of contrast and enlightening detail, so sit yourself down and listen to five wonderful hours of Bach.
Rousset's Decca/Bach recordings are essential for the Bach serious record collector and anyone else who prizes idiomatic interpretations of some of Bach's most compelling and glorious keyboard works. Rousset's style is generally informed by sharp contours, buoyant rhythms, brilliant phrasing, excellent detail of musical lines, poignant slow movements and very speedy and even wild fast movements. Overall, his interpretations crackle with energy. Another trait I love is that Rousset is often youthful and exuberant while at the same time expressing a full life's experience of regret and disappointment. In this regard, his performances remind me of excellent interpretations of Schumann's Kinderszenen where each note displays the maturity of adulthood as well the wonder of a child.
Disc 1 contains a very aggressive Goldberg Variations, and I love every minute of it. The performance is brash and never dawdles; it has great rhythmic bounce and a compelling musical flow. Although youthful exuberance is in abundance, there is a hardened element that creates a gripping aesthetic contrast. I think of this version as "Bach The Bounty Hunter". He busts through all obstacles and always quickly gets his man.
Rousset plays most of the variations with great rhythmic vitality and exhilaration, making this reviewer want to bounce off the walls. Although Rousset's tempos are significantly faster than the norm, he never allows them to diminish emotional content. In the Aria and those variations not conducive to an exhilarating presentation, Rousset is equally compelling. Listen to the pristine beauty and longing of the Aria, the strong contrast between remorse and salvation in Variation 9, the subtle negativity of Variation 11, the bitter/sweet nature of Variation 13, the pathos in Variation 15, the stunning rays of light in Variation 21, the spiritual side of Variation 24 and the bleak terrains of Variation 25 referred to as the "Black Pearl". Yes, Rousset connects on all cylinders, and I have no problem considering his Goldbergs one of the elite versions on the market.
Disc 2 covers four masterful Bach works, and Rousset applies the same magnificent qualities found in his Goldberg Variations. Each performance is in the top echelon with special notice going to the Italian Concerto's exquisite dialogue in the Andante and the visceral excitement of the Presto. Rousset delivers the most propulsive French Overture on record, his 1st Duet is the most austere and commanding I've ever heard, and his interpretation of the Chromatic Fantasy and Fugue revels in the work's macabre elements.
Discs 3 and 4 contain Bach's 6 Partitas for Keyboard, a rich vein of architectural and emotional variety. In these works I feel that Rousset places greater priority on structural clarity with some dampening of interest in visceral thrills (although there are still many instances of exhilaration). The advantages of clarity reveal that Rousset is both youthful/exuberant and experienced/melancholy in each note and chord he plays. I find the contrasts illuminating and riveting, the result being one of the most rewarding sets on either piano or harpsichord.
As for sound considerations, I am quite pleased that these Decca recordings are much less reverberant than Rousset's recent outings on the Ambroisie label. The Decca sound has plenty of body and depth, and it allows Rousset's sharp phrasing and pin-point articulation to grab hold of the listener.
Don's Conclusions: Except for those allergic to the harpsichord, the Rousset set is an indispensable part of the Bach keyboard enthusiast's music library. These are tremendously vibrant interpretations full of contrast and enlightening detail, so sit yourself down and listen to five wonderful hours of Bach.
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