Pascal Rogé, Jean-Philippe Collard - Satie: The Four Handed Piano (2000)

15 Jan, 09:21
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Artist: Pascal Rogé, Jean-Philippe Collard
Title: Satie: The Four Handed Piano
Year Of Release: 2000
Label: Decca
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 01:03:09
Total Size: 209 Mb
WebSite: Album Preview

Tracklist:

Trois Morceaux En Forme De Poire
1. Manière De Commencement 3:24
2. Prolongation Du Même 0:56
3. Lentement 1:19
4. En Leve 2:43
5. Brutal 2:33
6. En Plus 2:05
7. Redite 1:28
Parade
8. Parade, Ballet In 1 Scene For Orchestra 1:36
9. Parade, Ballet In 1 Scene For Orchestra 2:32
10. Parade, Ballet In 1 Scene For Orchestra 1:22
11. Parade, Ballet In 1 Scene For Orchestra 2:21
12. Parade, Ballet In 1 Scene For Orchestra 2:41
13. Parade, Ballet In 1 Scene For Orchestra 0:00
14. Parade, Ballet In 1 Scene For Orchestra 0:43
15. Sarabandes (3) For Piano 5:39
La Belle Excentrique (Fantasie Sérieuse)
16. Marche Franco-Lunaire 1:35
17. Grande Ritournelle 1:56
18. Valse Du Mystérieux Baiser Dans L'Oeil 2:02
19. Grande Ritournelle 1:54
20. Cancan Grand-Mondain 1:48
Aperçus Désagréables
21. No. 1, Pastorale 1:19
22. No. 2, Choral 1:01
23. No.3, Fugue 2:46
Six Pièces De La Période 1906-1913
24. Désespoir Agréable 1:01
25. Songe-Creux 2:00
En Habit De Cheval
26. No. 1, Chorale 0:30
27. No. 2, Fugue Litanique 2:07
28. No. 3, Autre Chorale 0:32
29. No. 4, Fugue De Papier 2:29
Trois Petites Pièces Montées
30. No.1, De L'Enfance De Pantagruel; Reverie 1:20
31. No. 2, Marche De Cocagne; Demarche 0:58
32. No. 3, Jeux De Gargantua; Coin De Polka 1:44
Choses Vues À Droite Et À Gauche (Sans Lunettes)
33. Choral Hypocrite 1:00
34. Fugue à Tâtons 1:55
35. Fantaisie Musculaire 1:39

Performers:
Pascal Rogé - piano
Jean-Philippe Collard - piano
Chantal Juillet - violin

In the music of Erik Satie, the sublime and the ridiculous reside in such tantalizingly close proximity that it's useless to try to separate them--which may, after all, be the point. For example, what can one say about 'Three Pieces in the Form of a Pear' other than there are really seven of them and regardless what fruit they may sound or look like they comprise a set of dances as disarming as any in piano literature? Fortunately, the case is well made in the performances of Pascal Rogé and Jean-Philippe Collard, who bring just the right balance of lightness and weight, wit, and beauty and plainness to the music. The four-handed piano arrangement of the surreal ballet 'Parade' lacks the sirens, gunshots and typewriters of the more familiar orchestral version, but retains its quirky mixture of vaudeville and proto-minimalism to winning effect; and the "serious fantasy" of 'The Eccentric Beauty' is Satie at his most uproarious, linking childish etudes, waltzes and can-cans with a comical series of music-hall vamps.

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