Wolfram Schurig & Johannes Hammerle - Nostalgia (2017)

Tracklist
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01. Sonata da camera in G Minor, Op. 3 No. 3: I. Adagio
02. Sonata da camera in G Minor, Op. 3 No. 3: II. Allegro
03. Sonata da camera in G Minor, Op. 3 No. 3: III. Allegro
04. Sonata da camera in C Minor, Op. 3 No. 2: I. Largo
05. Sonata da camera in C Minor, Op. 3 No. 2: II. Allegro
06. Sonata da camera in C Minor, Op. 3 No. 2: III. Allegro assai
07. Sonata da camera in B-Flat Major, Op. 4 No. 8: I. Largo
08. Sonata da camera in B-Flat Major, Op. 4 No. 8: II. Allegro
09. Sonata da camera in B-Flat Major, Op. 4 No. 8: III. Gratioso
10. Sonata da camera in F-Sharp Minor, Op. 3 No. 12: I. Adagio
11. Sonata da camera in F-Sharp Minor, Op. 3 No. 12: II. Allegro
12. Sonata da camera in F-Sharp Minor, Op. 3 No. 12: III. Allegro
13. Sonata da camera in A Minor, Op. 3 No. 8: I. Adagio
14. Sonata da camera in A Minor, Op. 3 No. 8: II. Allegro
15. Sonata da camera in A Minor, Op. 3 No. 8: III. Gratioso
16. Sonata da camera in C-Sharp Minor, Op. 3 No. 11: I. Adagio
17. Sonata da camera in C-Sharp Minor, Op. 3 No. 11: II. Allegro ma poco
18. Sonata da camera in C-Sharp Minor, Op. 3 No. 11: III. Allegro
19. Sonata da camera in F Major, Op. 4 No. 9: I. Largo
20. Sonata da camera in F Major, Op. 4 No. 9: II. Allegro
21. Sonata da camera in F Major, Op. 4 No. 9: III. Allegro assai
22. Sonata da camera in D Major, Op. 3 No. 10: I. Adagio-Largo
23. Sonata da camera in D Major, Op. 3 No. 10: II. Allegro
24. Sonata da camera in D Major, Op. 3 No. 10: III. Allegro
25. Sonata da camera in G Minor, Op. 3 No. 5: I. Adagio
26. Sonata da camera in G Minor, Op. 3 No. 5: II. Allegro
27. Sonata da camera in G Minor, Op. 3 No. 5: III. Allegro assai


«Then Somis appeared on the scene. He was possessed of the finest and most majestic bow stroke in Europe. He overcame limits which foiled others and avoided the pitfalls into which others fell […] A single bow stroke lasted so long that the mere remembrance of it causes one to hold one’s breath; it seemed like a taut silk thread which, in order to preserve the purity of tone, was festooned with silver and filigree gold mixed with diamonds, rubies, garnets and above all pearls. One saw them appearing from his fingertips.» (Hubert le Blanc, 1740)

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