McDonald And Giles - McDonald And Giles (Reissue) (1970/2002)
Artist: McDonald And Giles
Title: McDonald And Giles
Year Of Release: 1970/2002
Label: Virgin
Genre: Psychedelic Rock, Prog Rock
Quality: Mp3 320 / Flac (tracks, .cue, log) / Flac (tracks, 24/96)
Total Time: 45:20
Total Size: 194 Mb /365 Mb / 1 Gb (scans)
WebSite: Album Preview
Title: McDonald And Giles
Year Of Release: 1970/2002
Label: Virgin
Genre: Psychedelic Rock, Prog Rock
Quality: Mp3 320 / Flac (tracks, .cue, log) / Flac (tracks, 24/96)
Total Time: 45:20
Total Size: 194 Mb /365 Mb / 1 Gb (scans)
WebSite: Album Preview
Tracklist:
01. Suite In C - 11:14
02. Flight Of The Ibis - 03:11
03. Is She Waiting? - 02:36
04. Tomorrow's People ~ The Children Of Today - 07:02
05. Birdman: The Inventor's Dream (O.U.A.T.) - 03:53
06. Birdman: The Workshop - 02:51
07. Birdman: Wishbone Ascension - 01:30
08. Birdman: Birdman Flies! - 06:18
09. Birdman: Wings In The Sunset - 00:40
10. Birdman: Birdman ~ The Relection - 05:59
Line-up::
Ian McDonald - Guitar,Piano,Organ,Saxes,Flute,Clarinet,Zither,Vocals and Sundries
Michael Giles - Drums,Percussion(including milk bottle,handsaw,lip whustle and nutbox),Vocals
Peter Giles - Bass guitar
Steve Winwood - Organ and Piano solo on "Turnham Green"
Michael Blakesley - Trombone on "Tomorrow's People"
Following the meltdown of the original King Crimson lineup, Ian McDonald and Michael Giles brought brother Peter Giles back, which helps to account, in some ways, for the resemblance of this album to the 1968 Giles, Giles & Fripp recordings -- though the songs here tend to go on at some length, combining prog rock's traits of length and multiple sections with some of the lighter feel of the GG&F days. The 20-minute "Birdman" tends toward self-indulgence, while "Tomorrow's People - The Children of Today" loses focus halfway and spends the next four minutes being a blithering -- if pretty -- musical idiot. The main attraction is really the performances turned in by McDonald and the Giles brothers -- they all sound fabulous, even when waffling musically, while Michael Giles has a unique drum tone that never has been duplicated (Giles himself abandoned the sound for his later career in Jackson Heights and as a session drummer). Peter Giles returned to the accounting trade, alas, while Ian McDonald eventually wound up as part of Foreigner, which is another tale entirely.