Ensemble Resonanz & Riccardo Minasi - Mozart: Symphonies Nos. 39, 40 & 41 "Jupiter" (2020) [Hi-Res]
Artist: Ensemble Resonanz & Riccardo Minasi
Title: Mozart: Symphonies Nos. 39, 40 & 41 "Jupiter"
Year Of Release: 2020
Label: harmonia mundi
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:46:18
Total Size: 495 MB / 1.88 GB
WebSite: Album Preview
Tracklist:Title: Mozart: Symphonies Nos. 39, 40 & 41 "Jupiter"
Year Of Release: 2020
Label: harmonia mundi
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:46:18
Total Size: 495 MB / 1.88 GB
WebSite: Album Preview
1. Symphony No. 39 in E-Flat Major, K. 543: I. Adagio. Allegro (10:15)
2. Symphony No. 39 in E-Flat Major, K. 543: II. Andante con moto (8:07)
3. Symphony No. 39 in E-Flat Major, K. 543: III. Menuetto Allegretto. Trio (4:39)
4. Symphony No. 39 in E-Flat Major, K. 543: IV. Finale Allegro (8:07)
5. Symphony No. 40 in G Minor, K. 550: I. Molto allegro (7:15)
6. Symphony No. 40 in G Minor, K. 550: II. Andante (15:15)
7. Symphony No. 40 in G Minor, K. 550: III. Menuetto Allegretto (4:20)
8. Symphony No. 40 in G Minor, K. 550: VI. Allegro assai (8:45)
9. Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro vivace (11:40)
10. Symphony No. 41 in C Major, K. 551 "Jupiter": II. Andante cantabile (10:28)
11. Symphony No. 41 in C Major, K. 551 "Jupiter": III. Menuetto Allegretto. Trio (5:48)
12. Symphony No. 41 in C Major, K. 551 "Jupiter": IV. Molto allegro (11:44)
After the widespread acclaim for their previous recordings of C.P.E. Bach and Haydn, the musicians of the Resonanz Ensemble of Hamburg pursue their explorations on instruments with a ‘modern’ set-up.
Here they tackle Mozart’s last three symphonies which, it is generally agreed, “require no introduction.” And yet Riccardo Minasi does much more than introduce them: he reintroduces them to us.
The rhetorical, if not theatrical, dimension of the celebrated trilogy comes into full focus here and the result is irresistible.
Here they tackle Mozart’s last three symphonies which, it is generally agreed, “require no introduction.” And yet Riccardo Minasi does much more than introduce them: he reintroduces them to us.
The rhetorical, if not theatrical, dimension of the celebrated trilogy comes into full focus here and the result is irresistible.
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