Jonathan Biss - Beethoven Piano Sonatas, Vol. 5 (2020) [Hi-Res]
Artist: Jonathan Biss
Title: Beethoven Piano Sonatas, Vol. 5
Year Of Release: 2020
Label: Orchid Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 66:20
Total Size: 168 MB / 0.98 GB
WebSite: Album Preview
Tracklist:Title: Beethoven Piano Sonatas, Vol. 5
Year Of Release: 2020
Label: Orchid Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 66:20
Total Size: 168 MB / 0.98 GB
WebSite: Album Preview
01. Piano Sonata No. 3 in C Major, Op. 2 No. 3: I. Allegro con brio (9:45)
02. Piano Sonata No. 3 in C Major, Op. 2 No. 3: II. Adagio (7:15)
03. Piano Sonata No. 3 in C Major, Op. 2 No. 3: III. Scherzo. Allegro (3:02)
04. Piano Sonata No. 3 in C Major, Op. 2 No. 3: IV. Allegro assai (5:09)
05. Piano Sonata No. 25 in G Major, Op. 79 "Cuckoo": I. Presto alla tedesca (4:23)
06. Piano Sonata No. 25 in G Major, Op. 79 "Cuckoo": II. Andante (2:25)
07. Piano Sonata No. 25 in G Major, Op. 79 "Cuckoo": III. Vivace (1:55)
08. Piano Sonata No. 27 in E Minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck (5:22)
09. Piano Sonata No. 27 in E Minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen (6:36)
10. Piano Sonata No. 28 in A Major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung (3:59)
11. Piano Sonata No. 28 in A Major, Op. 101: II. Lebhaft, marschmässig (6:15)
12. Piano Sonata No. 28 in A Major, Op. 101: III. Langsam und sehnsuchtvoll - IV. Geschwinde, doch nicht zu sehr und mit Entschlossenheit (10:23)
Jonathan Biss concludes his nine-year, nine-volume exploration of Beethoven’s piano sonatas with a recording for our times, one that asks profound questions about mankind’s fragile existence. Considered the cornerstone of the pianist’s repertoire, the cycle comprises thirty-two sonatas in a range of emotional expressions.
Jonathan says: “Beethoven’s sonatas have been a constant presence in my life for nearly as long as I have been playing the piano. ‘Presence’ is too mild a word, though: ‘force’ comes a bit closer to conveying the space he occupies in my heart and head. For playing Beethoven does not feel like a matter of choice: his concerns are so all-encompassing, his mastery so astonishing, his personality so combative (yet, somehow, also so sympathetic), one cannot look (listen?) away.
“In 2011, I began recording the sonatas; my plan is to record all 32 by 2020. I hope and expect that my relationship with Beethoven will continue for many years beyond then, but the intensity of my current immersion with his music has become one of the most profound experiences of my life.”
Jonathan says: “Beethoven’s sonatas have been a constant presence in my life for nearly as long as I have been playing the piano. ‘Presence’ is too mild a word, though: ‘force’ comes a bit closer to conveying the space he occupies in my heart and head. For playing Beethoven does not feel like a matter of choice: his concerns are so all-encompassing, his mastery so astonishing, his personality so combative (yet, somehow, also so sympathetic), one cannot look (listen?) away.
“In 2011, I began recording the sonatas; my plan is to record all 32 by 2020. I hope and expect that my relationship with Beethoven will continue for many years beyond then, but the intensity of my current immersion with his music has become one of the most profound experiences of my life.”