Jonathan Biss - Beethoven: Piano Sonatas, Vol. 7 (2020) [Hi-Res]
Artist: Jonathan Biss
Title: Beethoven: Piano Sonatas, Vol. 7
Year Of Release: 2020
Label: Orchid Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 68:36
Total Size: 183 MB / 1.02 GB
WebSite: Album Preview
Tracklist:Title: Beethoven: Piano Sonatas, Vol. 7
Year Of Release: 2020
Label: Orchid Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 68:36
Total Size: 183 MB / 1.02 GB
WebSite: Album Preview
01. Piano Sonata No. 2 in A Major, Op. 2 No. 2: I. Allegro vivace (6:49)
02. Piano Sonata No. 2 in A Major, Op. 2 No. 2: II. Largo appassionato (5:41)
03. Piano Sonata No. 2 in A Major, Op. 2 No. 2: III. Scherzo. Allegretto (3:16)
04. Piano Sonata No. 2 in A Major, Op. 2 No. 2: IV. Rondo. Grazioso (6:24)
05. Piano Sonata No. 20 in G Major, Op. 49 No. 2: I. Allegro ma non troppo (4:01)
06. Piano Sonata No. 20 in G Major, Op. 49 No. 2: II. Tempo di menuetto (3:00)
07. Piano Sonata No. 17 in D Minor, Op. 31 No. 2 "The Tempest": I. Largo - Allegro (7:45)
08. Piano Sonata No. 17 in D Minor, Op. 31 No. 2 "The Tempest": II. Adagio (6:40)
09. Piano Sonata No. 17 in D Minor, Op. 31 No. 2 "The Tempest": III. Allegretto (6:08)
10. Piano Sonata No. 30 in E Major, Op. 109: I. Vivace ma non troppo - Adagio espressivo (3:54)
11. Piano Sonata No. 30 in E Major, Op. 109: II. Prestissimo (2:21)
12. Piano Sonata No. 30 in E Major, Op. 109: III. Gesangvoll, mit innigster Empfindung (12:45)
Jonathan Biss concludes his nine-year, nine-volume exploration of Beethoven’s piano sonatas with a recording for our times, one that asks profound questions about mankind’s fragile existence. Considered the cornerstone of the pianist’s repertoire, the cycle comprises thirty-two sonatas in a range of emotional expressions.
Jonathan says: “Beethoven’s sonatas have been a constant presence in my life for nearly as long as I have been playing the piano. ‘Presence’ is too mild a word, though: ‘force’ comes a bit closer to conveying the space he occupies in my heart and head. For playing Beethoven does not feel like a matter of choice: his concerns are so all-encompassing, his mastery so astonishing, his personality so combative (yet, somehow, also so sympathetic), one cannot look (listen?) away.
“In 2011, I began recording the sonatas; my plan is to record all 32 by 2020. I hope and expect that my relationship with Beethoven will continue for many years beyond then, but the intensity of my current immersion with his music has become one of the most profound experiences of my life.”
Jonathan says: “Beethoven’s sonatas have been a constant presence in my life for nearly as long as I have been playing the piano. ‘Presence’ is too mild a word, though: ‘force’ comes a bit closer to conveying the space he occupies in my heart and head. For playing Beethoven does not feel like a matter of choice: his concerns are so all-encompassing, his mastery so astonishing, his personality so combative (yet, somehow, also so sympathetic), one cannot look (listen?) away.
“In 2011, I began recording the sonatas; my plan is to record all 32 by 2020. I hope and expect that my relationship with Beethoven will continue for many years beyond then, but the intensity of my current immersion with his music has become one of the most profound experiences of my life.”