Collegium Novum Zürich - Jorge E. López: Works for Ensemble (2020)

Artist: Collegium Novum Zürich
Title: Jorge E. López: Works for Ensemble
Year Of Release: 2020
Label: NEOS Music
Genre: Classical
Quality: FLAC (tracks)
Total Time: 74:38 min
Total Size: 346 MB
WebSite: Album Preview
Tracklist:Title: Jorge E. López: Works for Ensemble
Year Of Release: 2020
Label: NEOS Music
Genre: Classical
Quality: FLAC (tracks)
Total Time: 74:38 min
Total Size: 346 MB
WebSite: Album Preview
01. Kampfhandlungen/Traumhandlungen, Op. 11
02. Kammersymphonie No. 2, Op. 23 "A végső Tavasz": I. Poco andante
03. Kammersymphonie No. 2, Op. 23 "A végső Tavasz": II. Fließend bewegt
04. Kammersymphonie No. 2, Op. 23 "A végső Tavasz": III. Largo
05. Kammersymphonie No. 2, Op. 23 "A végső Tavasz": IV. Kräftig bewegt, doch nicht zu schnell
06. Kammersymphonie No. 2, Op. 23 "A végső Tavasz": V. Giusto marziale - Andante
With its 52-minute duration, Lopez’s “Second Chamber Symphony Op. 23 ‘A Vegso; Tavasz’” is the central work on this disc, drawing inspiration from various sources.
This is the world premiere recording of this work as well as of the ensemble piece “Kampfhandlungen / Traumhandlungen Op. 11” [Scenes of Combat / Tissue of Dreams], which is marked by dark colors and sharp contrasts. Born in Cuba, Jorge E. Lopez was raised in the USA and lives in Austria today. Although he studied composition at the California Institute of the Arts, he describes himself as an autodidact. Extra-musical influences play a large role in his music, which doesn’t fit neatly into any categories or schools of “New Music.”
This is the world premiere recording of this work as well as of the ensemble piece “Kampfhandlungen / Traumhandlungen Op. 11” [Scenes of Combat / Tissue of Dreams], which is marked by dark colors and sharp contrasts. Born in Cuba, Jorge E. Lopez was raised in the USA and lives in Austria today. Although he studied composition at the California Institute of the Arts, he describes himself as an autodidact. Extra-musical influences play a large role in his music, which doesn’t fit neatly into any categories or schools of “New Music.”