Samson François - Chopin: Etudes, Op. 10 & 25 (2012) [Hi-Res]

  • 21 Mar, 12:30
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Artist:
Title: Chopin: Etudes, Op. 10 & 25
Year Of Release: 1966 / 2012
Label: Warner Classics / Erato
Genre: Classical
Quality: FLAC (tracks) [96kHz/24bit]
Total Time: 1:07:07
Total Size: 708 MB
WebSite:

Tracklist:

12 Études Op. 10
01 No. 1 en ut majeur 02:20
02 No. 2 en la mineur 01:27
03 No. 3 en mi majeur 03:58
04 No. 4 en ut diese mineur 02:07
05 No. 5 en sol bemol majeur 01:48
06 No. 6 en mi bemol mineur 03:01
07 No. 7 en ut majeur 01:35
08 No. 8 en fa majeur 02:25
09 No. 9 en fa mineur 02:24
10 No.10 en la bemol majeur 02:05
11 No.11 en mi bemol majeur 02:42
12 No.12 en ut mineur 02:58

12 Études Op. 25
13 No. 1 en la bemol majeur 02:55
14 No. 2 en fa mineur 01:53
15 No. 3 en fa majeur 01:45
16 No. 4 en la mineur 01:51
17 No. 5 en mi mineur 03:12
18 No. 6 en sol diese mineur 02:13
19 No. 7 en ut diese mineur 05:18
20 No. 8 en re bemol majeur 01:07
21 No. 9 en sol bemol majeur 01:06
22 No.10 en si mineur 04:05
23 No.11 en la mineur 03:23
24 No.12 en ut mineur 03:01

3 Nouvelles Etudes (pour la "Methode des Methodes" de Moscheles)
25 No. 1 en fa mineur 02:05
26 No. 2 en re bemol majeur 01:49
27 No. 3 en la bemol majeur 02:20

Accomplished pianist Samson Francois interprets masterworks by Chopin. His execution is powerful and precise, driven by his sophisticated intellect. Francois moves effortlessly through these demanding works producing a spine-tingling experience that exudes pianism at its finest. A must have for any collection.

Four engineers at Abbey Road Studios in London have remastered these historic EMI recordings from their original analogue sources for release in pristine hi-def. Between them, Simon Gibson, Ian Jones, Andy Walter and Allan Ramsay have many years of experience remastering archive recordings for EMI and other record labels. The process always starts with finding all of the records and tapes in EMI's archive in London and comparing different sources and any previous CD reissues. We consult each recording's job file, which contains notes about the recording made by the engineer and producer. For example, this sometimes explain why there is more than one set of tapes to choose from. All of the tapes are generally in good condition and we play them on our Studer A80 π inch tape machine, after careful calibration of its replay characteristics.

In order to have the best digital remastering tools at our disposal for the remastering, we transfer from analogue to the digital domain at 96 KHz and 24-bit resolution using a Prism ADA-8 converter and capture the audio to our SADiE Digital Audio Workstation.