Duke Ellington And His Orchestra - Ellington Indigos (2014) [DSD128 / Hi-Res]

  • 25 Mar, 10:11
  • change text size:

Artist:
Title: Ellington Indigos
Year Of Release: 1957 / 2014
Label: High Definition Tape Transfers
Genre: Jazz
Quality: DSD128 (*.dsf) 5.6 MHz / 1 Bit / FLAC (tracks) [192/24]
Total Time: 35:55
Total Size: 2.84 / 1.23 GB
WebSite:

Tracklist:

01. Prelude to A Kiss
02. Willow Weep for Me
03. Tenderly
04. Dancing in the Dark
05. Solitude
06. Where or When
07. Mood Indigo
08. Autumn Leaves

Personnel:

Duke Ellington (piano)
Jimmy Woode (bass)
Sam Woodyard (drums)
Paul Gonsalves (tenor saxophone)
Jimmy Hamilton, Russell Procope (clarinet, alto saxophone)
Harry Carney (baritone saxophone)
Johnny Hodges, Rick Henderson (alto saxophone)
John Sanders, (bass trombone)
Quentin Jackson, Britt Woodman (trombone)
Cat Anderson, Shorty Baker, Willie Cook, Clark Terry (trumpet)
Ray Nance (trumpet, violin)
Ozzie Bailey (vocal)

"The recording is superb in every way: texturally, harmonically and especially spatially. I guess it's difficult for some to imagine 1957 producing an utterly transparent, three-dimensional recording but trust me, everything you might be looking for sonically is here. Finding a quiet original is not easy, especially because of the purposely quiet and somewhat distant production. It's designed to make you step into it, not bring it to you. Kevin Gray's cut from a 1:1 copy at 30IPS from the original master is to my ears better than any of the originals I have here, particularly in terms of high frequency extension and transparency. Of course the RTI pressing is dead silent. What a treat!" - Michael Fremer, www.analogplanet.com, Music 9/10, Sound 9/10!

"Hugely recommended, and one of the best Ellington reissues to date!" - Robert H. Levi, Positive Feedback

"'Solitude' begins with Ellington's quietly introspective solo, but when his band jumps in a huge grin will cross your face as this Kevin Gray-mastered platter from Impex bursts to life with a sound as enveloping as a warm bath... There isn't a filler in the bunch. I have no original for comparison, but Gray's work is as good as it gets, and whatever limitations are evident here - a large but mostly shallow stage and the piano are about it - hardly interfere with this musical treasure." - Wayne Garcia, The Absolute Sound