King Crimson - 1972 03 06. The Stanley Theatre, Pittsburgh PA (2019)
Artist: King Crimson
Title: 1972 03 06. The Stanley Theatre, Pittsburgh PA
Year Of Release: 1972/2019
Label: Wowow Entertainment, Inc. IECP-30047
Genre: Progressive Rock / Art Rock / Improvisation
Quality: FLAC (tracks+.cue,log) / 320 kbps
Total Time: CD1: 38:05 CD2: 48:16
Total Size: 465/198 MB
WebSite: Album Preview
Tracklist:Title: 1972 03 06. The Stanley Theatre, Pittsburgh PA
Year Of Release: 1972/2019
Label: Wowow Entertainment, Inc. IECP-30047
Genre: Progressive Rock / Art Rock / Improvisation
Quality: FLAC (tracks+.cue,log) / 320 kbps
Total Time: CD1: 38:05 CD2: 48:16
Total Size: 465/198 MB
WebSite: Album Preview
CD 1
01 Pictures Of A City
02 Formentera Lady
03 The Sailors Tale
04 Cirkus
CD 2
01 Ladies Of The Road
02 Groon
03 21st Century Schizoid Man
04 Improv I
05 Cadence And Cascade
“This next song is aptly titled Circkus” says Boz with a slight edge in his voice. Here’s the band at the half way point of what they know is their last tour together. [endtease] Certainly there’s a lot of clowning around that masks some of the unresolved tensions and resentments that were part of the Crimso chemistry at the time.
“I feel lost, I feel out of control, I feel I’m going MAD!” declaims Fripp as he fails to quell a call to party from the rest of the troops on stage. A case of many a truth said in jest perhaps? Alongside such psycho-drama there’s some good music; Formentera Lady is a rootsy, gutsy affair, with Boz’s crooning especially good over Mel’s thorny soloing. For fans of the vintage sustained laser-beam tone that Fripp made all his own, The Sailor’s Tale will not disappoint.
Ladies Of The Road features some laugh-out-loud banter between Boz and Fripp’s blues guitar pastiche. Perhaps because of all the fun and games throughout the gig, Groon lacks the bite of other versions that are available, and whilst Schizoid Man rescues things with a revved up guitar solo, the encore improv is probably Fripp’s most uncommitted performance of the era. Cadence and Cascade is robbed of a proper conclusion when the tape runs out. It could almost be a metaphor.
“I feel lost, I feel out of control, I feel I’m going MAD!” declaims Fripp as he fails to quell a call to party from the rest of the troops on stage. A case of many a truth said in jest perhaps? Alongside such psycho-drama there’s some good music; Formentera Lady is a rootsy, gutsy affair, with Boz’s crooning especially good over Mel’s thorny soloing. For fans of the vintage sustained laser-beam tone that Fripp made all his own, The Sailor’s Tale will not disappoint.
Ladies Of The Road features some laugh-out-loud banter between Boz and Fripp’s blues guitar pastiche. Perhaps because of all the fun and games throughout the gig, Groon lacks the bite of other versions that are available, and whilst Schizoid Man rescues things with a revved up guitar solo, the encore improv is probably Fripp’s most uncommitted performance of the era. Cadence and Cascade is robbed of a proper conclusion when the tape runs out. It could almost be a metaphor.