Mick Abrahams - Mick Abrahams (Reissue, Remastered) (1971/1992)
Artist: Mick Abrahams
Title: Mick Abrahams
Year Of Release: 1971/1992
Label: BGO Records
Genre: Blues Rock
Quality: Mp3 320 / Flac (image, .cue, log) / Flac (tracks, 24/96)
Total Time: 45:11
Total Size: 133/309/1016 Mb (scans)
WebSite: Album Preview
Title: Mick Abrahams
Year Of Release: 1971/1992
Label: BGO Records
Genre: Blues Rock
Quality: Mp3 320 / Flac (image, .cue, log) / Flac (tracks, 24/96)
Total Time: 45:11
Total Size: 133/309/1016 Mb (scans)
WebSite: Album Preview
Tracklist:
1. Greyhound Bus - 4:50
2. Awake - 8:49
3. Winds Of Change - 4:50
4. Why Do You Do Me This Way (Abrahams, Sargeant) - 3:31
5. Big Queen - 4:28
6. Not To Rearrange (Abrahams, Sargeant) - 3:26
7. Seasons - 15:03
Line-up::
Mick Abrahams - Guitar, Mandolin, Pedal Steel, Guitar Steel, Vocals, Slide Guitar
Bob Sargeant - Organ, Guitar, Piano, Keyboards, Vocals
Ritchie Dharma - Percussion, Conga, Drums
Walt Monaghan - Guitar Bass, Vocals
Mick Abrahams' first formal solo album is more focused on blues and blues-rock, and far less on jazz, than his work with Blodwyn Pig, and is a better record for it. For first-time listeners, much of this record will recall Clapton's first post-Cream solo LP, Eric Clapton, in its generally laid-back sound and the presence of a fairly strong country blues influence. Abrahams' vocals here are a little more mournful than soulful -- his playing (especially when he picks up an acoustic guitar) is up to his usual standard, however, and Ritchie Dharma's drumming is dizzying in its speed and complexity. Much of the material is substandard, however, and one number in particular, "Seasons," is especially annoying -- evidently Abrahams couldn't decide whether he wanted to invade Yes territory (especially Steve Howe's solo noodlings) or the Allman Brothers' turf on this 15-minute extended track (which, as a piece of psychedelia, is several years late), which ultimately goes nowhere. "Winds of Change," an unassuming four-minute acoustic blues, is far more to the point.