Juliette Hurel, Quatuor Voce - Mozart: Complete Flute Quartets (2015) CD-Rip
Artist: Juliette Hurel, Quatuor Voce
Title: Mozart: Complete Flute Quartets
Year Of Release: 2015
Label: Alpha
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 57:34
Total Size: 285 Mb
WebSite: Album Preview
Tracklist: Title: Mozart: Complete Flute Quartets
Year Of Release: 2015
Label: Alpha
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 57:34
Total Size: 285 Mb
WebSite: Album Preview
Flute Quartet No. 1 in D major k285
1. allegro 9’46
2. adagio 2’24
3. rondeau: allegretto 4’29
Flute Quartet No. 2 in G major k285a
4. andante 8’14
5. tempo di menuetto 3’28
Flute Quartet No. 3 in C major k285b
6. allegro 8’33
7. thema: andantino & variations 9’47
Flute Quartet No. 4 in a major k298
8. thema: andante & variations 5’49
9. menuetto 2’09
10. rondieaoux: allegretto grazioso... 3’02
Performers:
Juliette Hurel (flute)
Quatuor Voce:
Cécile Roubin (violin in 01-05)
Sarah Dayan (violin in 06-10)
Guillaume Becker (viola)
Lydia Shelley (cello)
Alpha is pleased to welcome again the great flautist Juliette Hurel, who has made several recordings for ZZT and Outhere in the past. This recording is the result of the fruitful encounter between the flautist and the Voce Quartet, which occurred in the inspiring framework of the Ferme de Villefavard in the Limousin region.
En route to Paris, Mozart stayed in Mannheim in 1777, obtaining a commission for several works on behalf of an amateur flautist who was also a rich and distinguished surgeon, formerly engaged in the Dutch East India Company. The flute imposed itself undeniably as solo instrument in these scores imbued with concertante writing and the gallant style characteristic of the taste of the Mannheim court at that time. Some of the quartets would be composed later, in Vienna, such as the jovial K. 298 in which each movement takes up a familiar tune, which Mozart either varied or parodied.
En route to Paris, Mozart stayed in Mannheim in 1777, obtaining a commission for several works on behalf of an amateur flautist who was also a rich and distinguished surgeon, formerly engaged in the Dutch East India Company. The flute imposed itself undeniably as solo instrument in these scores imbued with concertante writing and the gallant style characteristic of the taste of the Mannheim court at that time. Some of the quartets would be composed later, in Vienna, such as the jovial K. 298 in which each movement takes up a familiar tune, which Mozart either varied or parodied.