Giacomo Copiello, Victor Valisena, Michele Tedesco, Giacomo Susani - Bach: The 4 Suites for Lute (2016)

Tracklist

01. Lute Suite in G Minor, BWV 995 (Arr. G. Copiello for Guitar): I. Prélude
02. Lute Suite in G Minor, BWV 995 (Arr. G. Copiello for Guitar): II. Allemande
03. Lute Suite in G Minor, BWV 995 (Arr. G. Copiello for Guitar): III. Courante
04. Lute Suite in G Minor, BWV 995 (Arr. G. Copiello for Guitar): IV. Sarabande
05. Lute Suite in G Minor, BWV 995 (Arr. G. Copiello for Guitar): V. Gavottes I & II
06. Lute Suite in G Minor, BWV 995 (Arr. G. Copiello for Guitar): VI. Gigue
07. Lute Suite in E Minor, BWV 996 (Arr. V. Valisena for Guitar): I. Prélude
08. Lute Suite in E Minor, BWV 996 (Arr. V. Valisena for Guitar): II. Allemande
09. Lute Suite in E Minor, BWV 996 (Arr. V. Valisena for Guitar): III. Courante
10. Lute Suite in E Minor, BWV 996 (Arr. V. Valisena for Guitar): IV. Sarabande
11. Lute Suite in E Minor, BWV 996 (Arr. V. Valisena for Guitar): V. Bourrée
12. Lute Suite in E Minor, BWV 996 (Arr. V. Valisena for Guitar): VI. Gigue
13. Lute Partita in C Minor, BWV 997 (Arr. M. Tedesco for Guitar): I. Prélude
14. Lute Partita in C Minor, BWV 997 (Arr. M. Tedesco for Guitar): II. Fugue
15. Lute Partita in C Minor, BWV 997 (Arr. M. Tedesco for Guitar): III. Sarabande
16. Lute Partita in C Minor, BWV 997 (Arr. M. Tedesco for Guitar): IV. Gigue
17. Lute Partita in C Minor, BWV 997 (Arr. M. Tedesco for Guitar): V. Double
18. Lute Partita in E Major, BWV 1006a (Arr. G. Susani for Guitar): I. Prélude
19. Lute Partita in E Major, BWV 1006a (Arr. G. Susani for Guitar): II. Loure
20. Lute Partita in E Major, BWV 1006a (Arr. G. Susani for Guitar): III. Gavotte en rondeau
21. Lute Partita in E Major, BWV 1006a (Arr. G. Susani for Guitar): IV. Menuetts I & II
22. Lute Partita in E Major, BWV 1006a (Arr. G. Susani for Guitar): V. Bourrée
23. Lute Partita in E Major, BWV 1006a (Arr. G. Susani for Guitar): VI. Gigue


On this release, Bach's lute Suites are entrusted to four emerging talents of the guitar, all of whom have been taught at the Conservatorio "Arrigo Pedrollo" of Vicenza. An important corpus of music is thus presented in four interpretations that are different and, in a sense, complementary; what they share, however, is a degree of artistic maturity that - at such an early stage of one's professional parable - certainly constitutes an extraordinary accomplishment.

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