Telemann Collection (2017)

Tracklist

01. Ouverture-Suite in E Minor, TWV 55:e1: I. Ouverture. Lentement-Vite -Lentement
02. Ouverture-Suite in E Minor, TWV 55:e1: II. Réjouissance
03. Ouverture-Suite in E Minor, TWV 55:e1: III. Rondeau
04. Ouverture-Suite in E Minor, TWV 55:e1: IV. Loure
05. Ouverture-Suite in E Minor, TWV 55:e1: V. Passepied
06. Ouverture-Suite in E Minor, TWV 55:e1: VI. Air. Un peu vivement
07. Ouverture-Suite in E Minor, TWV 55:e1: VII. Gigue
08. Quartetto in G Major, TWV 43:G2: I. Largo-Allegro-Largo
09. Quartetto in G Major, TWV 43:G2: II. Vivace-Moderato-Vivace
10. Quartetto in G Major, TWV 43:G2: III. Grave
11. Quartetto in G Major, TWV 43:G2: IV. Vivace
12. Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: I. Largo
13. Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: II. Allegro
14. Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: III. Grazioso
15. Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: IV. Allegro
16. Concerto for Recorder and Flute in E Minor, TWV 52:e1: I. Largo
17. Concerto for Recorder and Flute in E Minor, TWV 52:e1: II. Allegro
18. Concerto for Recorder and Flute in E Minor, TWV 52:e1: III. Largo
19. Concerto for Recorder and Flute in E Minor, TWV 52:e1: IV. Presto
20. Concerto for 2 Recorders in A Minor, TWV 52:a2: I. Gravement
21. Concerto for 2 Recorders in A Minor, TWV 52:a2: II. Vistement
22. Concerto for 2 Recorders in A Minor, TWV 52:a2: III. Largement
23. Concerto for 2 Recorders in A Minor, TWV 52:a2: IV. Vivement
24. Concerto for Recorder and Bassoon in F Major, TWV 52:F1: I. Largo
25. Concerto for Recorder and Bassoon in F Major, TWV 52:F1: II. Vivace
26. Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. —
27. Concerto for Recorder and Bassoon in F Major, TWV 52:F1: IV. Allegro
28. Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:a1: I. Grave
29. Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:a1: II. Allegro
30. Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:a1: III. Dolce
31. Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:a1: IV. Allegro
32. Concerto for 2 Recorders in B-Flat Major, TWV 52:B1: I. Grave
33. Concerto for 2 Recorders in B-Flat Major, TWV 52:B1: II. Vivace
34. Concerto for 2 Recorders in B-Flat Major, TWV 52:B1: III. Tendrement
35. Concerto for 2 Recorders in B-Flat Major, TWV 52:B1: IV. Gayment
36. Oboe Concerto in G Major, TWV 51:G2: I. Andante
37. Oboe Concerto in G Major, TWV 51:G2: II. Vivace
38. Oboe Concerto in G Major, TWV 51:G2: III. Adagio
39. Oboe Concerto in G Major, TWV 51:G2: IV. Allegro
40. Oboe Concerto in E Minor, TWV 51:c1: I. Andante
41. Oboe Concerto in E Minor, TWV 51:c1: II. Allegro molto
42. Oboe Concerto in E Minor, TWV 51:c1: III. Largo
43. Oboe Concerto in E Minor, TWV 51:c1: IV. Allegro
44. Concerto for Oboe d'amore in A Major, TWV 51:A2: I. Siciliano
45. Concerto for Oboe d'amore in A Major, TWV 51:A2: II. Allegro
46. Concerto for Oboe d'amore in A Major, TWV 51:A2: III. Largo
47. Concerto for Oboe d'amore in A Major, TWV 51:A2: IV. Vivace
48. Oboe Concerto in E- Flat Major, TWV 51:Es1: I. Allegro
49. Oboe Concerto in E- Flat Major, TWV 51:Es1: II. Largo
50. Oboe Concerto in E- Flat Major, TWV 51:Es1: III. Allegro
51. Concerto for 2 Flutes in E Minor, TWV 51:c2: I. Allegro
52. Concerto for 2 Flutes in E Minor, TWV 51:c2: II. Andante
53. Concerto for 2 Flutes in E Minor, TWV 51:c2: III. Allegro
54. Oboe Concerto in D Minor, TWV 51:d2: I. Largo
55. Oboe Concerto in D Minor, TWV 51:d2: II. Vivace
56. Oboe Concerto in D Minor, TWV 51:d2: III. Andante
57. Oboe Concerto in D Minor, TWV 51:d2: IV. Allegro
58. Concerto for Recorder and Viola da Gamba in A Minor, TWV 52:a1: I. —, II. Allegro, III. Dolce, IV. Allegro
59. Ouverture-Suite in D Major, TWV 55:D6: I. Ouverture, II. La trompette, III. Sarabande, IV. Rondeau, V. Bourrée, VI. Courante-Double, VII. Gigue
60. Sinfonia in F Major, TWV 50:3: I. Allabreve, II. Andante, III. Vivace
61. Concerto for Voila da gamba in A Major, TWV 51:A5: I. Soave, II. Allegro, III. Adagio, IV. Allegro
62. Ouverture-Suite in D Major, TWV 55:D18: I. Ouverture
63. Ouverture-Suite in D Major, TWV 55:D18: II. Menuet I alternativement menuet II
64. Ouverture-Suite in D Major, TWV 55:D18: III. Gavotte en rondeau
65. Ouverture-Suite in D Major, TWV 55:D18: IV. Passacaille
66. Ouverture-Suite in D Major, TWV 55:D18: V. Air. Lentement
67. Ouverture-Suite in D Major, TWV 55:D18: VI. Les postillons
68. Ouverture-Suite in D Major, TWV 55:D18: VII. Fanfare. Très vite
69. Ouverture-Suite in G Major, TWV 55:G10 "Burlesque de Quixotte": I. Ouverture
70. Ouverture-Suite in G Major, TWV 55:G10 "Burlesque de Quixotte": II. Le réveil de Quixotte
71. Ouverture-Suite in G Major, TWV 55:G10 "Burlesque de Quixotte": III. Son attaque des moulins à vent
72. Ouverture-Suite in G Major, TWV 55:G10 "Burlesque de Quixotte": IV. Ses soupirs amoureux après la Princesse Dulcinée
73. Ouverture-Suite in G Major, TWV 55:G10 "Burlesque de Quixotte": V. Sanche panche berné
74. Ouverture-Suite in G Major, TWV 55:G10 "Burlesque de Quixotte": VI. Le galope de rosinante-Celui d'ane de sanche
75. Ouverture-Suite in G Major, TWV 55:G10 "Burlesque de Quixotte": VII. Le couché de Quixotte
76. Ouverture-Suite in C Minor, TWV 55:c2: I. Ouverture
77. Ouverture-Suite in C Minor, TWV 55:c2: II. Air. Vivement
78. Ouverture-Suite in C Minor, TWV 55:c2: III. Rondeaux
79. Ouverture-Suite in C Minor, TWV 55:c2: IV. Fugue. Vivement
80. Ouverture-Suite in C Minor, TWV 55:c2: V. Gavotte I alternativement gavotte II
81. Ouverture-Suite in C Minor, TWV 55:c2: VI. Menuet I alternativement menuet II
82. Ouverture-Suite in C Minor, TWV 55:c2: VII. Gigue
83. Ouverture-Suite in D Major, TWV 55:D4: I. Ouverture
84. Ouverture-Suite in D Major, TWV 55:D6: II. Menuet I alternativement menuet II
85. Ouverture-Suite in D Major, TWV 55:D4: III. Furies. Très vite
86. Ouverture-Suite in D Major, TWV 55:D4: IV. Entrée
87. Ouverture-Suite in D Major, TWV 55:D4: V. Passepied I alternativement passepied II
88. Ouverture-Suite in D Major, TWV 55:D4: VI. Loure
89. Ouverture-Suite in D Major, TWV 55:D4: VII. Canaries
90. Ouverture-Suite In D Major, Twv 55:D4: VIII. Chaconne
91. Ouverture-Suite in D Major, TWV 55:D4: IX. Air. Doucement
92. Ouverture-Suite in F Major, TWV 55:F11 "Alster-Ouvertüre": I. Ouverture
93. Ouverture-Suite in F Major, TWV 55:F11 "Alster-Ouvertüre": II. Die canonierende Pallas
94. Ouverture-Suite in F Major, TWV 55:F11 "Alster-Ouvertüre": III. Das Älster Echo
95. Ouverture-Suite in F Major, TWV 55:F11 "Alster-Ouvertüre": IV. Die Hamburgischen Glockenspiele
96. Ouverture-Suite in F Major, TWV 55:F11 "Alster-Ouvertüre": V. Der Schwanen Gesang
97. Ouverture-Suite in F Major, TWV 55:F11 "Alster-Ouvertüre": VI. Der Älster Schäffer Dorff Music
98. Ouverture-Suite in F Major, TWV 55:F11 "Alster-Ouvertüre": VII. Die concertierenden Frösche und Krähen
99. Ouverture-Suite In F Major, Twv 55:F11 "Alster-Ouvertüre": VIII. Der Ruhende Pan
100. Ouverture-Suite in F Major, TWV 55:F11 "Alster-Ouvertüre": IX. Der Schäffer und Nymphen eilfertiger Abzu
101. Ouverture-Suite in B-Flat Major, TWV 55:B5: I. Ouverture
102. Ouverture-Suite in B-Flat Major, TWV 55:B5: II. Menuet I alternativement menuet II
103. Ouverture-Suite in B-Flat Major, TWV 55:B5: III. Les Turcs
104. Ouverture-Suite in B-Flat Major, TWV 55:B5: IV. Les Suisses
105. Ouverture-Suite in B-Flat Major, TWV 55:B5: V. Les Moscovites
106. Ouverture-Suite in B-Flat Major, TWV 55:B5: VI. Les Portugais
107. Ouverture-Suite in B-Flat Major, TWV 55:B5: VII. Les boiteux alternativement
108. Ouverture-Suite In B-Flat Major, Twv 55:B5: VIII. Les Coureurs
109. Ouverture-Suite in D Minor, TWV 55:d2: I. Ouverture
110. Ouverture-Suite in D Minor, TWV 55:d2: II. Rondeau
111. Ouverture-Suite in D Minor, TWV 55:d2: III. Irlandoise
112. Ouverture-Suite in D Minor, TWV 55:d2: IV. Réjouissance
113. Ouverture-Suite in D Minor, TWV 55:d2: V. Sarabande
114. Ouverture-Suite in D Minor, TWV 55:d2: VI. Les scaramouches
115. Ouverture-Suite in D Minor, TWV 55:d2: VII. Menuet I
116. Ouverture-Suite In D Minor, Twv 55:D2: VIII. Menuet II. Doucement
117. Ouverture-Suite in D Minor, TWV 55:d2: IX. Entrée
118. Ouverture-Suite in B-Flat Major, TWV 55:B7: I. Ouverture
119. Ouverture-Suite in B-Flat Major, TWV 55:B7: II. Réjouissance
120. Ouverture-Suite in B-Flat Major, TWV 55:B7: III. Loure
121. Ouverture-Suite in B-Flat Major, TWV 55:B7: IV. Rondeau
122. Ouverture-Suite in B-Flat Major, TWV 55:B7: V. Menuet alternativement trio
123. Ouverture-Suite in B-Flat Major, TWV 55:B7: VI. Gigue
124. Concerto à 4 in D Major, TWV 43:D1: I. Allegro
125. Concerto à 4 in D Major, TWV 43:D1: II. Affettuoso
126. Concerto à 4 in D Major, TWV 43:D1: III. Vivace
127. Sonata à 4 in A Major, TWV 43:A1: I. Soave
128. Sonata à 4 in A Major, TWV 43:A1: II. Allegro
129. Sonata à 4 in A Major, TWV 43:A1: III. Andante
130. Sonata à 4 in A Major, TWV 43:A1: IV. Vivace
131. Suite à 4 in E Minor, TWV 43:e1: I. Prélude. Vitement
132. Suite à 4 in E Minor, TWV 43:e1: II. Rigaudon
133. Suite à 4 in E Minor, TWV 43:e1: III. Air
134. Suite à 4 in E Minor, TWV 43:e1: IV. Réplique
135. Suite à 4 in E Minor, TWV 43:e1: V. Menuet I-Menuet II
136. Suite à 4 in E Minor, TWV 43:e1: VI. Gigue
137. Concerto à 4 in G Major, TWV 43:G1: I. Grave-Allegro-Grave-Allegro
138. Concerto à 4 in G Major, TWV 43:G1: II. Largo
139. Concerto à 4 in G Major, TWV 43:G1: III. Presto
140. Concerto à 4 in G Major, TWV 43:G1: IV. Largo
141. Concerto à 4 in G Major, TWV 43:G1: V. Allegro
142. Sonata à 4 in G Minor, TWV 43:g1: I. Andante
143. Sonata à 4 in G Minor, TWV 43:g1: II. Allegro
144. Sonata à 4 in G Minor, TWV 43:g1: III. Largo
145. Sonata à 4 in G Minor, TWV 43:g1: IV. Allegro
146. Suite à 4 in B Minor, TWV 43:h1: I. Prélude. Gaiement
147. Suite à 4 in B Minor, TWV 43:h1: II. Air. Modérément
148. Suite à 4 in B Minor, TWV 43:h1: III. Réjouissance
149. Suite à 4 in B Minor, TWV 43:h1: IV. Courante
150. Suite à 4 in B Minor, TWV 43:h1: V. Passepied
151. Trio Sonata, TWV 42:A4 Monday: Introduzione prima. Vivace
152. Trio Sonata, TWV 42:A4 Monday: I. Moderato
153. Trio Sonata, TWV 42:A4 Monday: II. Allegro
154. Trio Sonata, TWV 42:A4 Monday: III. Tempo giusto
155. Trio Sonata, TWV 42:A4 Monday: IV. Allegro
156. Trio Sonata, TWV 42:A4 Monday: V. Largo
157. Trio Sonata, TWV 42:A4 Monday: VI. Presto
158. Trio Sonata, TWV 42:B3 Tuesday: Introduzione seconda. Allegro
159. Trio Sonata, TWV 42:B3 Tuesday: I. Vivace
160. Trio Sonata, TWV 42:B3 Tuesday: II. Presto
161. Trio Sonata, TWV 42:B3 Tuesday: III. Allegro
162. Trio Sonata, TWV 42:B3 Tuesday: IV. Largo
163. Trio Sonata, TWV 42:B3 Tuesday: V. Vivace
164. Trio Sonata, TWV 42:B3 Tuesday: VI. Allegro
165. Trio Sonata, TWV 42:G5 Wednesday: Introduzione terza. Vivace
166. Trio Sonata, TWV 42:G5 Wednesday: I. Vivace
167. Trio Sonata, TWV 42:G5 Wednesday: II. Presto
168. Trio Sonata, TWV 42:G5 Wednesday: III. Moderato
169. Trio Sonata, TWV 42:G5 Wednesday: IV. Presto
170. Trio Sonata, TWV 42:G5 Wednesday: V. Vivace
171. Trio Sonata, TWV 42:G5 Wednesday: VI. Allegro
172. Trio Sonata, TWV 42:Es2 Thursday: Introduzione quarta. Allegro
173. Trio Sonata, TWV 42:Es2 Thursday: I. Spirituoso
174. Trio Sonata, TWV 42:Es2 Thursday: Thursday: II. Presto
175. Trio Sonata, TWV 42:Es2 Thursday: III. Vivace
176. Trio Sonata, TWV 42:Es2 Thursday: IV. Gratioso
177. Trio Sonata, TWV 42:Es2 Thursday: V. Allegro
178. Trio Sonata, TWV 42:Es2 Thursday: VI. Vivace
179. Trio Sonata, TWV 42:c4 Friday: Introduzione quinta. Allegro
180. Trio Sonata, TWV 42:c4 Friday: I. Allegro
181. Trio Sonata, TWV 42:c4 Friday: II. Vivace
182. Trio Sonata, TWV 42:c4 Friday: III. Spirituoso
183. Trio Sonata, TWV 42:c4 Friday: IV. Largo
184. Trio Sonata, TWV 42:c4 Friday: V. Presto
185. Trio Sonata, TWV 42:c4 Friday: VI. Allegro allegro'
186. Trio Sonata, TWV 42:g3 Saturday: Introduzione sesta. Vivace
187. Trio Sonata, TWV 42:g3 Saturday: I. Presto
188. Trio Sonata, TWV 42:g3 Saturday: II. Dolce
189. Trio Sonata, TWV 42:g3 Saturday: III. Allegro
190. Trio Sonata, TWV 42:g3 Saturday: IV. Vivace
191. Trio Sonata, TWV 42:g3 Saturday: V. Allegro
192. Trio Sonata, TWV 42:g3 Saturday: VI. Vivace
193. Trio Sonata, TWV 42:D7 Sunday: Introduzione settima. Largo-Presto-Largo
194. Trio Sonata, TWV 42:D7 Sunday: I. Andante
195. Trio Sonata, TWV 42:D7 Sunday: II. Moderato
196. Trio Sonata, TWV 42:D7 Sunday: III. Vivace
197. Trio Sonata, TWV 42:D7 Sunday: IV. Dolce
198. Trio Sonata, TWV 42:D7 Sunday: V. Vivace
199. Trio Sonata, TWV 42:D7 Sunday: VI. Allegro
200. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Sonata
201. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Chorale. Schmücke dich
202. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Jesus). Gute Nacht, ihr meine Lieben
203. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Recitative (Jesus). Doch, daß ihr möget
204. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Die Andacht). Sollt' ich deiner wohl vergessen
205. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Recitative (Jesus). Ich will euch noch
206. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Chorale. Dein Blut der edle Saft
207. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Recitative (Die Andacht). Gottlob es ist das Alte nun vergangen
208. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Die Andacht). Sollt' ich deiner nicht gedenken
209. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Recitative (Jesus): Nun werd'ich bald erfahren
210. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Petrus). Foltern, foltern
211. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Recitative (Jesus). Es wird der Hahn
212. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2 (2): Aria (Petrus). Foltern, foltern
213. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Recitative (Die Andacht). Ach Petre
214. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Die Andacht). Denke nach
215. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Chorale. Gott, groß über alle Götter
216. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Jesus). Vater, Vater
217. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Accompagnato (Die Andacht). O Anblick
218. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Die Andacht). Ihr blut'gen Schweißrubinen
219. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Chorale. Tritt her
220. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Caiaphas). Recht und Gerechtigkeit
221. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Recitative (Caiaphas/jesus). Gefangener, was hören wir
222. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Jesus). Wenn die Gerichtsposaune
223. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Recitative (Caiaphas). Wie, daß doch Gott
224. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Die Andacht). Menschenhände, Menschenlippen tun
225. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Recitative (Die Andacht). Doch denke nach
226. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Chorale. Du edles Angesichte
227. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Accompagnato (Petrus). Ach, ach, was hab' ich
228. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Petrus). Mir ist die ganze Welt
229. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Accompagnato (Petrus). Ach, könnt'ich doch
230. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Der Glaube). Tränen, die der Glaube
231. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Chorale: Straf mich nicht in deinem Zorn
232. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Recitative (Die Andacht). So rufet ihr
233. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Die Andacht). Droht der Satan
234. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Recitative (Die Andacht). Wen seh' ich dort
235. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Die Andacht). Ich treff' auf deinen blut'gen Rücken
236. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Chorale: O Haupt, voll Blut
237. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Recitative (Jesus). Nun schließ ich bald
238. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Jesus). Ich will kämpfen
239. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Recitative (Die Andacht). So wirst du
240. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Die Andacht). Jese wird ans Holz geschlagen
241. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Chorale. Jesu, unter deinem Kreuz
242. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Jesus). Es ist vollbracht
243. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Chorale. O großer Gott
244. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Recitative (Zion). Ihr Gottesmörder
245. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria (Zion). Erstaunet
246. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Chorale: Nun gibt mein Jesus
247. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Aria: (Die Andacht). Jesus spannt die Gnadenflügel
248. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Recitative (Die Andacht). Nun endlich hat mein Jesus
249. Passions-Oratorium, das Seliges Erwägen des bittern Leidnens und Sterbens Jesu Christi, TWV 5:2: Chorale. Erscheine mir zum Schilde


Commemorating the 250th anniversary of the death of Georg Philipp Telemann, this release encapsulates a snapshot of the composer's varied and wide-ranging works. Deservedly celebrated as one of the greatest Baroque composers, Telemann mastered a variety of genres, from solo concertos to large-scale oratorios.

Born in Magdeburg, Germany, in 1681 (four years before J.S. Bach), Telemann's musical talents were recognised early on, when he studied singing and composition with the cantor Benedikt Christiani. His parents were unhappy about the possibility of a future musical career, and tried to pair him with a teacher who would give him a rounder education; however, when Caspar Calvoer recognised his musical talents, he also encouraged Telemann to develop his abilities. Although he entered Leipzig University intending to study Law, Telemann soon abandoned this for his musical career. In 1705 he became Kapellmeister to the Count of Promnitz, who frequently travelled through Italy and France; Telemann soon immersed himself in the French style, and, while working for the count, was also exposed to Polish and Moravian folk music.

Telemann then became Konzertmeister for the Duke of Eisenach Johann Wilhelm. It was in Eisenach that he began to focus particularly on instrumental music, still in his preferred French style. He also met Bach here for the first time, later becoming godfather to C.P.E. Bach. His first marriage ended in tragedy, when his wife died in childbirth a year after their wedding; his second, to Maria Catharina Textor, was more successful. Together they had nine children, though none would go on to become a musician.

In 1721, Telemann became cantor and musical director of the five main churches of Hamburg, sparking the most creative period of his career. He was obliged to produce two cantatas for every Sunday, and a new Passion for Lent. Despite a heavy load of teaching responsibilities, Telemann also found time for public concerts, and supplemented his income further by printing his works (despite protests from the city's printer). Famously, he applied for and then turned down the position of Thomaskantor in Leipzig, forcing Hamburg officials to increase his salary, solidifying his position in the city. He became part of the intellectual fabric of that city, vacating it only for a sojourn to Paris in 1737–38, where he wrote the Paris Quartets.

In the years leading up to his death in 1767, Telemann published little, but remained alert to the musical trends of the day, corresponding regularly with younger composers such as C.P.E. Bach. He was highly popular still at the time of his death, but fell out of the favour during the 19th century. Only towards the second half of the 20th century was the composer's reputation fully restored, culminating in a comprehensive thematic catalogue that documented over 3000 works. Brilliant Classics has already released an extensive Telemann Edition (BC95150), comprising 50CDs' worth of music, which is an excellent addition for any lover of Baroque music. However, those just looking to dip their toes into the water for the first time will find much to treasure on this release, a fine selection of some of the most exquisite examples of Telemann's works.

The musical world commemorates the 250th anniversary of the death of Georg Philipp Telemann, one of the most prolific and important Baroque composers. Telemann was considered by his contemporaries to be one of the leading German composers, on a par with Johann Sebastian Bach and George Frideric Handel, both of whom he knew personally. Telemann’s music incorporates several national styles, including the French and Italian, and is even influenced by Polish popular music. His music is always fresh, inventive, melodious and full of humour, wit and instrumental brilliance.
This 10 CD Collection (an “Edition Light”) contains Telemann’s most popular works, including the famous Tafelmusik, concertos for trumpet, recorder and oboe, orchestral suites and the Passion Oratorio.
Performances by excellent early music ensemble like Musica Amphion/Pieter-Jan Belder and Erik Bosgraaf and Cordevento.

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