Thomas Leininger - Mozart: Works for Piano & Violin (2020)
Artist: Thomas Leininger
Title: Mozart: Works for Piano & Violin
Year Of Release: 2020
Label: Musicaphon
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 81:48 min
Total Size: 428 MB
WebSite: Album Preview
Title: Mozart: Works for Piano & Violin
Year Of Release: 2020
Label: Musicaphon
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 81:48 min
Total Size: 428 MB
WebSite: Album Preview
Tracklist:
01. Violin Sonata No. 2 in D Major, K. 7: I. Allegro molto
02. Violin Sonata No. 2 in D Major, K. 7: II. Adagio
03. Violin Sonata No. 2 in D Major, K. 7: III.. Minuets I & II
04. Prelude & Fugue in C Major, K. 394: I. Prelude
05. Prelude & Fugue in C Major, K. 394: II. Fugue
06. Violin Sonata No. 17 in C Major, K. 296: I. Allegro vivace
07. Violin Sonata No. 17 in C Major, K. 296: II. Andante sostenuto
08. Violin Sonata No. 17 in C Major, K. 296: III. Rondeau. Allegro
09. Violin Sonata No. 27 in G Major, K. 379: I. Adagio
10. Violin Sonata No. 27 in G Major, K. 379: IIa. Allegro
11. Violin Sonata No. 27 in G Major, K. 379: IIb. Theme. Andantino cantabile
12. Violin Sonata No. 27 in G Major, K. 379: IIc. Variation 1
13. Violin Sonata No. 27 in G Major, K. 379: IId. Variation 2
14. Violin Sonata No. 27 in G Major, K. 379: IIe. Variation 3
15. Violin Sonata No. 27 in G Major, K. 379: IIf. Variation 4
16. Violin Sonata No. 27 in G Major, K. 379: IIg. Variation 5
17. Violin Sonata No. 27 in G Major, K. 379: III. Allegretto
18. 6 Variations on :Hélas, j'ai perdu mon amant:, K. 360: Theme
19. 6 Variations on :Hélas, j'ai perdu mon amant:, K. 360: Var. 1
20. 6 Variations on :Hélas, j'ai perdu mon amant:, K. 360: Var. 2
21. 6 Variations on :Hélas, j'ai perdu mon amant:, K. 360: Var. 3
22. 6 Variations on :Hélas, j'ai perdu mon amant:, K. 360: Var. 4
23. 6 Variations on :Hélas, j'ai perdu mon amant:, K. 360: Var. 5
24. 6 Variations on :Hélas, j'ai perdu mon amant:, K. 360: Var. 6
Throughout his life, Wolfgang Amadeus Mozart repeatedly devoted himself to the genre of the accompanied piano sonata. He wrote the earliest works at the age of eight, to perform them either with his sister on the harpsichord and himself on the violin or with his father, the famous violin teacher, and sitting at the harpsichord himself. Leopold Mozart himself assured his son in a letter that he would count him among the best violin players in Europe - the composer himself preferred to see himself as a piano virtuoso and (of course) above all as a 'compositeur' who had a lot to say. The works recorded here also move within this area of tension. If the violin still plays a clearly subordinate role in the youth sonatas to the brilliant harpsichord part, which also leads in the cantabile slow movements, this distribution of roles changes over the time in favor of the violin. In the 'middle' phase of Mannheim, the renunciation of the violin would mean a painful loss, and in the later Vienna sonatas there is finally a true partnership between the two instruments with equal rights. The joyful virtuoso part is still reserved for the piano.
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