Diego Fasolis, Orquesta Barocca de Sevilla & María Espada - Arde el Furor (2020)

Tracklist

01. Arde el furor intrépido: Allegretto spiritoso (Area al Santisimo con violines y trompas, 1751)
02. Prosigue acorde lira: Ia. Tocata-Adagio (Cantada con violines al Santisimo, 1740)
03. Prosigue acorde lira: Ib. Tocata-Allegro (Cantada con violines al Santisimo, 1740)
04. Prosigue acorde lira: II. Recitado, "Prosigue acorde lira, la dulce suavidad" (Cantada con violines al Santisimo, 1740)
05. Prosigue acorde lira: III. Area cantabile, "Ya sonoros los acentos" (Cantada con violines al Santisimo, 1740)
06. Prosigue acorde lira: IV. Recitado, "Todo celo se mira victorioso" (Cantada con violines al Santisimo, 1740)
07. Prosigue acorde lira: V. Area spirituoso, "Llevando el poder" (Cantada con violines al Santisimo, 1740)
08. Nebado Albergue: I. Recitado, "Nebado Albergue de un Amor bizarro" (Cantada al Nacimiento con violines, 1742)
09. Nebado Albergue: II. Aria affectuoso, "Mira bien, hombre feliz" (Cantada al Nacimiento con violines, 1742)
10. Guiados de una estrella reluciente: I. Recitado allegro, "Guiados de una estrella reluciente" (Villancico a solo de Reyes con violines y trompas, 1789)
11. Guiados de una estrella reluciente: II. Aria andante, "Qual Sol que luciente se muestra" (Villancico a solo de Reyes con violines y trompas, 1789)
12. Soberano Señor: I. Recitado, "Soberano Señor de tierra y cielo" (Villancico a solo al Santísimo con violines, 1773)
13. Soberano Señor: II. Andante amoroso, "Si eres el Dueño del alma mía" (Villancico a solo al Santísimo con violines, 1773)
14. O! Adalid invencible: I. Recitado, "O! Adalid invencible en los combates" (Villancico a solo a los Santisimos Martires Ciriaco y Paula con violines, 1783)
15. O! Adalid invencible: II. Area andante moderato, "Si mi esperanza, si mi consuelo" (Villancico a solo a los Santisimos Martires Ciriaco y Paula con violines, 1783)
16. Alegrese la tierra: I. Entrada assai, "Alegrese la tierra ... Prebéngase festiva" (Cantada a duo con violines a la Purisima Concepcion, 1742)
17. Alegrese la tierra: II. Recitado, "Nueba lira sonora" [Clean] (Cantada a duo con violines a la Purisima Concepcion, 1742)
18. Alegrese la tierra: III. Area allegro a dúo, "Ay cómo suena el raudal ... Ay cómo se oye el rumor" (Cantada a duo con violines a la Purisima Concepcion, 1742)


In the 18th century, musical life in Spain flourished not only at the court in Madrid, but also at the great cathedrals of the country, which were, since Siglo d’oro, no less important centers of music in the sixteenth century. The present recording with the Orquesta Barroca de Sevilla under Diego Fasolis presents some charming works from the repertoire of the Cathedral of Malaga. The today largely unknown composers show that Spain was by no means a musical diaspora around the middle of the 18th century, but, besides Scarlatti, Soler and Boccherini, still offers a whole series of unknown works. Created in 1995 by Barry Sargent and Ventura Rico, The Baroque Orchestra of Seville has been among the very best Spanish Ensembles, particularly in the field of historical interpretation. Since 2001, Pedro Gandia Martin has served as its artistic director. The group has recorded for several record labels, and has received distinctions such as Gramophone’s Editor’s Choice, Exceptional by Scherzo, 5 Stars Goldberg, and more.

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