Bournemouth Symphony Orchestra, José Serebrier - Verdi: Complete Ballet Music from the Operas (2012) [Hi-Res]

Tracklist

CD1
01. Otello, Act III: Ballabile: Otello, Act III Scene 7: Ballabile
02. Macbeth, Act III: Ballo I: Macbeth, Act III Scene 1: Ballo I
03. Macbeth, Act III: Ballo II: Macbeth, Act III Scene 1: Ballo II
04. Macbeth, Act III: Ballo III: Macbeth, Act III Scene 1: Ballo III
05. Jerusalem, Act III: Pas de quatre: Jerusalem, Act III Scene 1: Pas de quatre
06. Jerusalem, Act III: Pas de deux: Jerusalem, Act III Scene 1: Pas de deux
07. Jerusalem, Act III: Pas de solo: Jerusalem, Act III Scene 1: Pas de solo
08. Jerusalem, Act III: Pas d'ensemble: Jerusalem, Act III Scene 1: Pas d'ensemble
09. Don Carlo, Act III: Ballo della regina, "La Peregrina": Don Carlo, Act III Scene 2: Ballo della regina, "La Peregrina"

CD2
01. Aida, Act I: Danza sacra delle sacerdotesse: Act I Scene 2: Dance No. 3: Danza sacra delle sacerdotesse
02. Aida, Act II: Danza dei piccoli schiavi mori
03. Aida, Act II: Ballabile
04. Il trovatore, Act III: Pas des Bohemiens
05. Il trovatore, Act III: Gitanilla
06. Il trovatore, Act III: Ensemble
07. Il trovatore, Act III: Sevillana
08. Il trovatore, Act III: Echo du soldat
09. Il trovatore, Act III: La Bohemienne
10. Il trovatore, Act III: Galop
11. I vespri siciliani, Act III: Le quattro stagioni: Act III Scene 2: Le quattro stagioni: L'inverno
12. I vespri siciliani, Act III: Le quattro stagioni: Act III Scene 2: Le quattro stagioni: La primavera
13. I vespri siciliani, Act III: Le quattro stagioni: Act III Scene 2: Le quattro stagioni: L'estate
14. I vespri siciliani, Act III: Le quattro stagioni: Act III Scene 2: Le quattro stagioni: L'autunno


This unique programme is the first time that all the ballet music from Verdi’s operas has been brought together in a singe recording. Although The Four Seasons from I vespri siciliani (The Sicilian Vespers) and the ballet scenes from Aida and Otello have survived, substantial pieces from Il trovatore and Don Carlo are more often cut, while the ballet from Jérusalem is all but unknown. José Serebrier’s recordings with the Bournemouth Symphony have resulted in some great successes with unusual repertoire. This release will be of interest both to opera enthusiasts and to those eager to explore Verdi’s neglected and relatively small body of concert music.

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