Wiener Philharmoniker, John Eliot Gardiner - Mendelssohn - Symphonies Nos.4 "Italian" & 5 "Reformation" (1999)
Artist: Wiener Philharmoniker, John Eliot Gardiner
Title: Mendelssohn - Symphonies Nos.4 "Italian" & 5 "Reformation"
Year Of Release: 1999
Label: Deutsche Grammophon
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 76:49
Total Size: 339 Mb
WebSite: Album Preview
Tracklist: Title: Mendelssohn - Symphonies Nos.4 "Italian" & 5 "Reformation"
Year Of Release: 1999
Label: Deutsche Grammophon
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 76:49
Total Size: 339 Mb
WebSite: Album Preview
Symphony No.4 In A, Op. 90, "Italian"
1. I. Allegro Vivace
2. II. Andante Con Moto
3. III. Con Moto Moderato
4. IV. Saltarello: Presto
Symphony No.5 In D Minor, Op. 107, "Reformation"
5. I. Andante, Allegro Con Fuoco
6. II. Allegro Vivace
7. III. Andante
8. IV. Chorale: Ein' Feste Burg Ist Unser Gott
Symphony No.4 In A, Op. 90, "Italian" (1883-84 Version)
9. II. Andante Con Moto
10. III. Menuetto: Con moto grazioso
11. IV. Saltarello: Allegro di molto
Performers:
Wiener Philharmoniker
Conductor: John Eliot Gardiner
Mendelssohn was not like Beethoven or Verdi--his second thoughts were not always better than his first. In fact, not one of the changes he made in his 1834 revision to the Italian Symphony--recorded here for the first time, alongside the original version of 1833--strikes me as an improvement; indeed, the later effort sounds more like a first draft, thinner, more repetitive, melodically less engaging. Nonetheless, it's good to have the composer's refashioning of the score on disc, especially when it's performed as confidently as here, if only to give us a renewed appreciation of what he achieved the first time around. For the familiar version of the Italian Symphony is certainly a masterpiece. And the performance it receives here from the Vienna Philharmonic and John Eliot Gardiner is one of the best currently available: polished and energetic, with plenty of the elegance one expects in Mendelssohn, even when he's at his most animated. The account of the Reformation Symphony, recorded live, is marginally less successful as an interpretation, though the orchestra's playing leaves little to be desired. -- Ted Libbey