Ton Koopman - Buxtehude: Opera Omnia II - Vocal Works, Vol. 1 (2006)
Artist: Ton Koopman, Amsterdam Baroque Choir & Amsterdam Baroque Orchestra
Title: Buxtehude: Opera Omnia II - Vocal Works, Vol. 1
Year Of Release: 2006
Label: Challenge Records
Genre: Classical
Quality: FLAC (image + .cue, log, artwork)
Total Time: 02:16:49
Total Size: 655 MB
WebSite: Album Preview
Tracklist:Title: Buxtehude: Opera Omnia II - Vocal Works, Vol. 1
Year Of Release: 2006
Label: Challenge Records
Genre: Classical
Quality: FLAC (image + .cue, log, artwork)
Total Time: 02:16:49
Total Size: 655 MB
WebSite: Album Preview
CD 1
Actus 1
01. Sonata 03:36
02. Aria (Tutti) Wacht! Euch zum Streit gefasset macht 01:45
03. Der Geitz (S I) [JZ] Sagt, Schwestern, ob nicht meine Macht 00:37
04. Die Leichtfertigkeit (S II) [CS] Nein, Narrin, wer meine Wolluste erkennet 01:04
05. Die Hoffarth (S I, II, III) [OVI, JZ, CS] Ihr schnoden Erdenkinder schweigt 03:10
06. Der Geitz (S I) [OVI] Ein Blitzen ist mein schoner Blick 00:41
07. Die Leichtfertigkeit (S II) [JZ] Ich kann ja die heiligsten Seelen entdieben 01:07
08. Die Hoffarth Aria (S III) [CS] Der Hoffarth ausgedehnter Dunst 02:39
09. (S I, S II, S III) [OVI, JZ, RB] La?t uns unsre Kunst verbrudern 01:16
10. Aria (Tutti) Ach! wache auf! Deutsches Reich was wiltu schlafen? 02:31
11. Aria (S III) [RB, OVI, JZ, CS] Ich fuhre von unten nach oben 01:43
12. Die Gottliche Stimm (B) La?t euch niemand verfuhren mit vergeblichen Worten 00:28
13. Aria (S I, S II, S III) [CS, JZ, RB] Ei, wir mussen mit stoltzieren und bravieren 01:12
14. Die Gottliche Stimm (B) Ich schwor bei meiner Seelen 00:32
15. [Choral] (Tutti) Man fragt nach Gott dem Herrn nicht mehr 00:53
16. (S I, S II, S III) [OVI, JZ, RB] Die armen Bettel-Vetteln immer betteln 00:38
17. Die Gottliche Stimm (B) Darum, da? die Tochter Zion stoltz sind 01:01
18. Aria (Tutti) O! der Rasenheit! 03:21
Actus 2
19. Sonata 02:26
20. Aria (Tutti) Horet, die ihr reich wollt werden 00:53
21. Solo (B) Wohl dem Menschen, der Weisheit findet 01:27
22. Aria (A, T, B) Suchet, sucht, o ihr Menschen 01:55
23. Aria (S II) [RB] Geld! Geld! Sonst ist nichtes in der Welt 02:44
24. Aria (A, T, B) Halt, halte doch, wie laufestu so hellig dich 01:20
25. Solo (S I) [OVI] Wie gar nichts sind alle Menschen, die doch so sicher leben! 01:11
26. (A, T, B) Suchet den Herrn, so wird ihr leben. 00:14
27. Aria (S I) [CS, OVI, JZ] Aus Eden zu viel Toden sind leider wir gejagt 03:34
28. Solo (B) Suchet in der Schrift 00:16
29. Aria (S I) [OVI, CS, JZ] Ja, dieses ist das Land 02:44
30. Solo (T) Ich liebe, die mich lieben 01:11
31. Aria (S I) [JZ, CS] O tausendmal selige, frolige Stunden! 01:40
32. [Choral] (Tutti) Ei, mein Perle! du werte Krohn 02:09
33. Aria (S II) [OVI, JZ, CS] Doch noch nicht satt 02:29
34. Solo (S I) [JZ] Der Herr ist mein Theil, spricht meine Seel 00:41
35. Stromenti 00:15
36. [Choral] (Tutti) Jesu, mein Freud, mein Ehr und Ruhm 03:47
37. Stromenti 00:23
38. Aria (S I) [CS, OVI] Mein Jesus, mein Leben und Heil! 03:03
39. Solo (S II) [JZ] Liebe Seele, du hast einen gro?en Vorrath auf viel Jahr 00:59
40. Solo (B) Du Narr! Diese Nacht wird man deine Seele von dir fordern 00:38
41. Aria (S II) [OVI, CS, JZ] O Weh! O Wort, das eh todtet als der Todt 03:37
42. Tutti O Todt! Wie bitter bistu 00:43
43. Stromenti 00:24
44. Aria (S I) [OVI] Freu dich sehr, o meine Seele 01:46
45. [Choral] (Tutti) Hertzlich lieb hab ich dich, o Herr 03:21
CD 2
01. Aria (Tutti) [CS, JZ, KM, tutti] Weg mit allen irdschen Schatzen 04:51
Actus 3
02. Sonata 00:44
03. Aria (Tutti) Freude! Lufft! Wind! Dampff! Kampff! Wasser! Schnee! 01:23
04. Solo (B) Wohlan alle, die ihr durstig seid 01:18
05. Aria (A, T, B) Kommet Schafflein, kommet her 01:47
06. Solo (S I) [OVI] Das ist meine Freude, da? ich mich zu Gott halte 00:40
07. Aria (S II) [CS, JZ] O frolige Zeit 01:51
08. Solo (B) Die ihr euch weit von bosen Tagen achtet 00:59
09. Aria (S II) [OVI] Ich kann nicht mehr 02:59
10 . Aria (S I) [CS] Sehet doch des Satans Sklaven 02:52
11. Solo (B) Wacht auf, ihr Trunkenen 00:45
12. Aria (S I) [JZ] Su?er Jesu, Jesu du, meine Ruh 04:02
13. [Choral] (Tutti) Geu? sehr tief in mein Hertz hinein 01:30
14. Stromenti 00:18
15. Aria (A) Mag dieser nicht werden 02:13
16. Solo (B) Lasset euch nicht verfuhren 00:30
17. Aria (S I) [JZ, CS, OVI] Nicht mit Staub will ich meine Seel ergetzen 03:33
18. Choral] (Tutti) Herr Gott Vater, mein starcker Held 01:30
Die Andere Abtheilung
19. Sonata 03:00
20. Solo (B) Der Gottlose wird nicht bestehn! 00:45
21. Aria (A, T, B) Menschenkind! Ach nicht so blind 01:25
22. Solo (S II, B) [OVI, KM] Weg, Sterben, weg, traurige Todesgedanken 01:30
23 . (B I, B II, B III) [KM, DB, RS] Ihr Frevler, verruchte, verfluchete Hunde 00:32
24. Solo (B) Drau?en sind die Hunde 00:28
25. Aria (S II) [CS, JZ, OVI] O schreckliches Schrecken! O Weh! 03:30
26. Solo (A) Die Gottlosen werden plotzlich zunichte 00:21
27. (Tutti) Schau, Torichter, schaue, Verwegener 00:47
28. Aria (S II) [CS] O der gro?en Bangigkeit 03:36
29. (A, T, B) Stirb, Rasender, stirb! 00:23
30. Solo (B) Weh euch, die ihr voll seid, denn ihr werdet hungern! 01:31
31. [Choral] (Tutti) Wie bin ich doch so hertzlich froh 01:30
32. Solo (T) Ich will zu euch kommen und euch zu mir nehmen 00:22
33 . Aria (T) Schafflein, komm nur, hier sind Wunden 02:14
34. (Tutti) Israel, ziehet hin zu seiner Ruhe 00:46
35. Violini 01:10
36. [Choral] (Tutti) Mit Fried und Freud ich fahr dahin 02:09
37. Stromenti 00:18
38. Schlu? Aria (Tutti) Menschen-Kinder, schnappet nach dem Schatten nicht 02:05
By his twenties, Antonius "Ton" Koopman was already carving a musical niche for himself in which he would rise to become one of the world's most prominent performers in the early music movement. Koopman was born in the Dutch town of Zwolle in 1944. After what he describes as a "classical education," he went to Amsterdam to study organ (with Simon C. Jansen), harpsichord (with Gustav Leonhardt), and musicology. Koopman's musical interests from the outset centered upon the re-creation of older musics on their original instruments in a thoroughly researched historical performing style. He founded his first Baroque orchestra in 1966, followed by an exuberant career (40 years and counting) of mingled performance, conducting, and scholarship.
As a keyboardist, Ton Koopman has appeared on the most prestigious concert stages of five continents and has produced an extensive discography on Erato, Philips, Sony, Teldec, and other labels. He has concertized on many of the greatest historical organs throughout Europe. He plays harpsichord while leading the Amsterdam Baroque Orchestra & Choir (both of which he also founded), in addition to giving regular guest performances with professional orchestras throughout the world. He has taught harpsichord at the Sweelinck conservatory, serves as a professor of harpsichord at the Hague's Royal Conservatory, and is an honorary member of the Royal Academy of Music in London. Koopman's first international prizes -- a pair of Prix d'Excellence -- came for his performances on organ and harpsichord.
Koopman's work as a conductor of early music has garnered him a wealth of further awards, including two Edison Prizes, a 3M Prize, a Deutsche Schallplattenpreis, a French Grand Prix du Disque and Prix Hector Berlioz, Grammy nominations in both the U.S. and Britain, and the Silver Phonograph from the Dutch recording industry. Much of his recorded work has been with the period instrument ensemble the Amsterdam Baroque Orchestra, which he founded in 1979. Together, Koopman and the Amsterdam Baroque have produced scores of recordings; Biber, Charpentier, Handel, Mozart, Purcell, and Vivaldi have been featured, though Koopman is best known now for his massive projects with recording the music of J.S. Bach. Between 1994 and 2004 he conducted and recorded the entire corpus of Bach's cantatas; other projects have included the complete Bach organ works and Passions (including Koopman's own reconstruction of the lost Markuspassion). In 2003, he formed Antoine Marchand Records, his own label. That same year, he was also admitted into the Order of the Netherlands Lion. Koopman became artist-in-residence with the Cleveland Orchestra in 2011, while continuing to be a professor at the Royal Conservatory of The Hague.
Koopman maintains an incredibly active schedule as guest conductor, in addition to his publishing career.
As a keyboardist, Ton Koopman has appeared on the most prestigious concert stages of five continents and has produced an extensive discography on Erato, Philips, Sony, Teldec, and other labels. He has concertized on many of the greatest historical organs throughout Europe. He plays harpsichord while leading the Amsterdam Baroque Orchestra & Choir (both of which he also founded), in addition to giving regular guest performances with professional orchestras throughout the world. He has taught harpsichord at the Sweelinck conservatory, serves as a professor of harpsichord at the Hague's Royal Conservatory, and is an honorary member of the Royal Academy of Music in London. Koopman's first international prizes -- a pair of Prix d'Excellence -- came for his performances on organ and harpsichord.
Koopman's work as a conductor of early music has garnered him a wealth of further awards, including two Edison Prizes, a 3M Prize, a Deutsche Schallplattenpreis, a French Grand Prix du Disque and Prix Hector Berlioz, Grammy nominations in both the U.S. and Britain, and the Silver Phonograph from the Dutch recording industry. Much of his recorded work has been with the period instrument ensemble the Amsterdam Baroque Orchestra, which he founded in 1979. Together, Koopman and the Amsterdam Baroque have produced scores of recordings; Biber, Charpentier, Handel, Mozart, Purcell, and Vivaldi have been featured, though Koopman is best known now for his massive projects with recording the music of J.S. Bach. Between 1994 and 2004 he conducted and recorded the entire corpus of Bach's cantatas; other projects have included the complete Bach organ works and Passions (including Koopman's own reconstruction of the lost Markuspassion). In 2003, he formed Antoine Marchand Records, his own label. That same year, he was also admitted into the Order of the Netherlands Lion. Koopman became artist-in-residence with the Cleveland Orchestra in 2011, while continuing to be a professor at the Royal Conservatory of The Hague.
Koopman maintains an incredibly active schedule as guest conductor, in addition to his publishing career.
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