Satisfaction - Three Ages Of Man (Reissue) (1971-72/2014)
Artist: Satisfaction
Title: Three Ages Of Man
Year Of Release: 1971-72/2014
Label: Acid Jazz
Genre: Prog Rock, Jazz-Rock, Brass Rock
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 45:02
Total Size: 129/273 Mb (scans)
WebSite: Album Preview
Title: Three Ages Of Man
Year Of Release: 1971-72/2014
Label: Acid Jazz
Genre: Prog Rock, Jazz-Rock, Brass Rock
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 45:02
Total Size: 129/273 Mb (scans)
WebSite: Album Preview
Tracklist:
1. My Fixation (Derek Griffiths) - 7:52
2. Don't Turn Away (Derek Griffiths, Traditional) - 1:47
3. House of the Rising Sun (Traditional) - 9:03
4. Three Ages of Man (Derek Griffiths) - 1:59
5. Don't Rag the Lady (John Beecham, Lem Lubin) - 5:10
6. One Man Band (Lem Lubin) - 1:59
7. Liar Liar (Lem Lubin) - 5:58
8. Hotel (John Beecham, Lem Lubin) - 2:25
9. My Fixation (Reprise) (Derek Griffiths) - 8:45
Line-up:
John Beecham - Horn Arrangements, Trombone, Tuba
Mike Cotton - Flugelhorn, Horn Arrangements, Trumpet
Derek Griffiths - Guitar, Vocals
Bernie Higginson - Bongos, Drums, Percussion
Lem Lubin - Bass, Vocals
Nick Newall - Flute, Horn Arrangements, Tenor Sax
Jim Toomey - Drums
Whilst poruing though twenty or so unmarked reel-toreel tapes Derek Griffiths, formerly The Artwoods, one of the most revered and in fact the highest paid 60s band, Art Woods brother is Ronnie of The Rolling Stones (cf. a big deal). Derek and Rich Searle (Acid Jazz) came across a red tape box…
‘A jazz-rock album,’ Derek explained, ‘a cross between Blood Sweat And Tears and early Chicago but without organ. Hammond organ smothers the horns.’ The studio engineer carefully cued up the forty-year-old quarterinch tape and pressed play. As we listened, arms goosed, neck hair bristled, we fell silent, it was a trip. Derek endeavoured to shed more light. ‘It’s a concept album, written on the road about the road.
This album is a lost gem, a forgotten chapter from the British Rock Chronicles, a diamond in the rough. Three Ages Of Man marks the three influences fused within the group’s musical DNA. Strong and inventive jazz arrangements, a horn section at its creative peak. The acoustic testament of melodic song writing, hearts rinsed from the treadmill of touring. And finally, a solid rock ’n’ roll foundation that betrays the early blues roots of its players. This album is a journey that ends where it begins, tour madness, ecstatic melancholy and the soaring highs that thrill and counter the heady abstractions and repetition of life on the road.
A lost concept album, from the combined talents of some of Britain’s most influential R&B musicians, might arguably elevate that cardboard box to Holy Grail status
‘A jazz-rock album,’ Derek explained, ‘a cross between Blood Sweat And Tears and early Chicago but without organ. Hammond organ smothers the horns.’ The studio engineer carefully cued up the forty-year-old quarterinch tape and pressed play. As we listened, arms goosed, neck hair bristled, we fell silent, it was a trip. Derek endeavoured to shed more light. ‘It’s a concept album, written on the road about the road.
This album is a lost gem, a forgotten chapter from the British Rock Chronicles, a diamond in the rough. Three Ages Of Man marks the three influences fused within the group’s musical DNA. Strong and inventive jazz arrangements, a horn section at its creative peak. The acoustic testament of melodic song writing, hearts rinsed from the treadmill of touring. And finally, a solid rock ’n’ roll foundation that betrays the early blues roots of its players. This album is a journey that ends where it begins, tour madness, ecstatic melancholy and the soaring highs that thrill and counter the heady abstractions and repetition of life on the road.
A lost concept album, from the combined talents of some of Britain’s most influential R&B musicians, might arguably elevate that cardboard box to Holy Grail status