Christopher Jacobson - The Aeolian Organ at Duke University Chapel (2016) [Hi-Res]

Tracklist

01. Finlandia, Op. 26 (arr. H.A. Fricker for organ)
02. Rhapsody, Op. 17 No. 1 Rhapsody, Op. 17, No. 1
03. Organ Symphony No. 2 Organ Symphony No. 2 II. Vif
04. Irish Air from County Derry (version for organ)
05. 3 Preludes & Fugues, Op. 7 Prelude No. 1 in B Major
06. 3 Preludes & Fugues, Op. 7 Fugue No. 1 in B Major
07. 3 Preludes & Fugues, Op. 7 Prelude No. 2 in F Minor
08. 3 Preludes & Fugues, Op. 7 Fugue No. 2 in F Minor
09. 3 Preludes & Fugues, Op. 7 Prelude No. 3 in G Minor
10. 3 Preludes & Fugues, Op. 7 Fugue No. 3 in G Minor
11. 3 Preludes Founded on Welsh Hymn Tunes Rhosymedre (Lovely)
12. Marche Heroique
13. Gospel Preludes, Book 2 Gospel Preludes, Book 2 No. 4. Jesus Loves Me
14. 6 Organ Pieces 6 Pieces No. 6. Grand choeur dialogue (arr. S. McIntosh for organ and brass sextet)

The Aeolian Opus 1785 pipe organ of Duke University Chapel in Durham, NC was built in 1932 and completely restored in 2008. It stands today, as it did over eighty years ago, as a towering testament to the twentieth-century symphonic tradition of organ building.

This album presents a collection of equally twentieth-century organ compositions, transcriptions and arrangements, ranging from Irish folk tunes arranged for organ by Edwin H. Lemare and Gospels by William Bolcom, to Marcel Dupré’s monumental Trois Préludes et Fugues Op. 7 and a transcription of Sibelius’ Finlandia, all performed by Duke Chapel’s organist, Christopher Jacobson.

It is the first commercial recording made on the instrument since its restoration and it gives a chance to hear the instrument’s unique voice in a way never possible before. It is particularly the instrument’s unique voice which inspired Christopher Jacobson to record this album: ‘The orchestral sounds of the Aeolian organ at Duke Chapel represent a special and unique voice amongst America’s organs. Designed to rival and complement the sounds of a symphony orchestra the Aeolian’s ability to elegantly whisper and powerfully roar is paralleled by only a handful of other organs across America. Not many of these large symphonic organs have survived in their original state into the twenty-first century. This disc represents a sonic journey one-hundred years back in time to a period when these tremendous instruments were regularly heard by thousands of music lovers in homes, concert halls, and churches across America.’

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