Ars Nova & Bo Holten - Lassus: Le Lagrime di San Pietro (Tears of San Pietro) (1995)
Artist: Ars Nova & Bo Holten
Title: Lassus: Le Lagrime di San Pietro (Tears of San Pietro)
Year Of Release: 1995
Label: Naxos
Genre: Classical
Quality: FLAC (image + .cue, log, scans)
Total Time: 54:45 min
Total Size: 219 MB
WebSite: Album Preview
Tracklist:Title: Lassus: Le Lagrime di San Pietro (Tears of San Pietro)
Year Of Release: 1995
Label: Naxos
Genre: Classical
Quality: FLAC (image + .cue, log, scans)
Total Time: 54:45 min
Total Size: 219 MB
WebSite: Album Preview
01. Il Magnanimo Pietro
02. Ma gli archi
03. Tre volte haveva a l'importuna e audace
04. Qual' a l'incontro di quegli occhi santi
05. Giovane donna il suo bel volto in specchio
06. Cosi tal'hor
07. Ogni occhio del Signor lingua veloce
08. Nessun fedel trovai, nessun cortese
09. Chi ad una ad una raccontar potesse
10. Come falda di neve
11. E non fu il pianto suo rivo o Torrente
12. Quel volto
13. Veduto il miser quanto differente
14. E vago d'incontrar chi giusta pena
15. Vattene vitav va
16. O vita troppo rea
17. A quanti gia felici in giovinezza
18. Non trovava mia fe se duro intoppo
19. Queste opre e piu
20. Negando il mio Signor
21. Vide homo
Influenced by ELP and 1970s Italian progressive groups such as Goblin and Il Balletto di Bronzo, ArsNova was formed in 1983 by keyboardist and composer Kyoko Kanazawa (bass), Yumiko Saito (drums), and Keiko Tsubata (keyboard), who met at a university in Tokyo. In 1985, Tsubata left and was replaced by Keiko Kumagai. Kumagai left to get married not long after, and the band broke up.
Reforming in the early '90s at the instigation of Made in Japan producer, Numero Ueno, the all-female group produced Fear and Anxiety in 1992, which was acclaimed for its strong classical sound. After Saito left, Akiko Takahashi (drums, violin) joined the group in time for Transi, which was released in 1994 and sold reasonably well in Europe and Japan. The Goddess of Darkness followed in 1996. 1998 saw the release of Reu Nu Pert Em Hru, which was based on the Egyptian Book of the Dead. Without a bassist for the album, Ken Ishita was featured as a guest. Mika Nakajima made the group a trio again in 1999, playing keyboards and violin in addition to performing as vocalist. She appeared on the group's album with Gerald (1999), Keyboard Triangle, a tribute album to progressive rock. The group's next album, Android Domina, was released in 2001. By that point, ArsNova were among the most respected groups in their field.
Reforming in the early '90s at the instigation of Made in Japan producer, Numero Ueno, the all-female group produced Fear and Anxiety in 1992, which was acclaimed for its strong classical sound. After Saito left, Akiko Takahashi (drums, violin) joined the group in time for Transi, which was released in 1994 and sold reasonably well in Europe and Japan. The Goddess of Darkness followed in 1996. 1998 saw the release of Reu Nu Pert Em Hru, which was based on the Egyptian Book of the Dead. Without a bassist for the album, Ken Ishita was featured as a guest. Mika Nakajima made the group a trio again in 1999, playing keyboards and violin in addition to performing as vocalist. She appeared on the group's album with Gerald (1999), Keyboard Triangle, a tribute album to progressive rock. The group's next album, Android Domina, was released in 2001. By that point, ArsNova were among the most respected groups in their field.