Elin Forkelid - Elin Forkelid Plays for Trane (2020)
Artist: Elin Forkelid
Title: Elin Forkelid Plays for Trane
Year Of Release: 2020
Label: Sail Cabin Records
Genre: Jazz
Quality: 320 kbps | FLAC (tracks)
Total Time: 01:02:41
Total Size: 143 mb | 371 mb
WebSite: Album Preview
Tracklist:Title: Elin Forkelid Plays for Trane
Year Of Release: 2020
Label: Sail Cabin Records
Genre: Jazz
Quality: 320 kbps | FLAC (tracks)
Total Time: 01:02:41
Total Size: 143 mb | 371 mb
WebSite: Album Preview
01. Compassion
02. Central Park West
03. Ogunde
04. Dear Lord
05. Resolution
06. After the Rain
07. Alabama
Personnel:
Mattias Ståhl, vibra
David Stackenäs, guitar
Vilhelm Bromander, double bass
Jon Fält, drums and kalimba
It's hardly this week's biggest news that John Coltrane's playing style and technique have influenced legions of jazz saxophonists. Elin Larsson Forkelid is one of them. But above all, she has absorbed all the emotions that lived in the giant's music, such as mildly singing tenderness, seeking rootlessness, wildly aspiring liberation and so the calmly majestic, spiritual.
So she is rowing home this demanding and demanding album project with her gang. A hint already appears in the opening track "Compassion", where the group twists and turns on the extremely simple, eternally repeated theme, flows out in other keys, comes back and turns the intensity up and down.
Immediately afterwards, the quintet caresses the beautiful ballad "Central park west" without frills, and then builds up the late Coltrane composition "Ogunde" from the first floating soprano saxophones on top of David Stackenäs' vibrating electric guitar via Mattias Ståhl's floating vibraphone loops paired with Jon Fält's extremely moving, drumming to a climax where all five release the inhibitions. The gentle hymn "Dear Lord" then takes everything down to earth again.
Flexible teammates such as Stackenäs and Ståhl, who fix both melodic playing, hardbop scales and abrasive dissonances, are almost necessary if a tribute to John Coltrane's 60s is to be successful. But the most decisive factor is Elin Forkelid's own authority, passion and goal orientation.
So she is rowing home this demanding and demanding album project with her gang. A hint already appears in the opening track "Compassion", where the group twists and turns on the extremely simple, eternally repeated theme, flows out in other keys, comes back and turns the intensity up and down.
Immediately afterwards, the quintet caresses the beautiful ballad "Central park west" without frills, and then builds up the late Coltrane composition "Ogunde" from the first floating soprano saxophones on top of David Stackenäs' vibrating electric guitar via Mattias Ståhl's floating vibraphone loops paired with Jon Fält's extremely moving, drumming to a climax where all five release the inhibitions. The gentle hymn "Dear Lord" then takes everything down to earth again.
Flexible teammates such as Stackenäs and Ståhl, who fix both melodic playing, hardbop scales and abrasive dissonances, are almost necessary if a tribute to John Coltrane's 60s is to be successful. But the most decisive factor is Elin Forkelid's own authority, passion and goal orientation.