Sarah Beth Briggs - Gal: Concerto for Piano & Orchestra; Mozart: Piano Concerto No. 22 (2017) [Hi-Res]
Artist: Sarah Beth Briggs
Title: Gal: Concerto for Piano & Orchestra; Mozart: Piano Concerto No. 22
Year Of Release: 2017
Label: Avie
Genre: Classical
Quality: 24bit-96kHz FLAC (tracks)
Total Time: 01:08:27
Total Size: 1.19 GB
WebSite: Album Preview
Tracklist:Title: Gal: Concerto for Piano & Orchestra; Mozart: Piano Concerto No. 22
Year Of Release: 2017
Label: Avie
Genre: Classical
Quality: 24bit-96kHz FLAC (tracks)
Total Time: 01:08:27
Total Size: 1.19 GB
WebSite: Album Preview
Hans Gál (1890-1987)
Concerto for Piano and Orchestra, Op.57
1. I. Allegro energico ma non troppo
2. II. Adagio
3. III. Allegretto vivace
Wolfgang Amadeus Mozart (1756-1791)
Piano Concerto No. 22 in E-Flat Major, K. 482
4. I. Allegro
5. II. Andante semplice
6. III. Allegro
Personnel:
Sarah Beth Briggs (piano)
Royal Northern Sinfonia
Kenneth Woods (conductor 1-3),
Bradley Creswick (co-director 4-6)
English pianist Sarah Beth Briggs, together with Kenneth Woods conducting the Royal Northern Sinfonia, offers the world premiere recording of Hans Gál's Concerto for Piano and Orchestra alongside Mozart's Piano Concerto No. 22 in E-flat, K. 482.
Bringing to light another of Hans Gál's gorgeously melodic and finely crafted scores, AVIE presents the world premiere recording of the Austrian émigré's Concerto for Piano and Orchestra with English pianist Sarah Beth Briggs supported by Gál aficionado Kenneth Woods conducting the Royal Northern Sinfonia. Written in 1948, Gál's large-scale romantic concerto abounds with sweeping phrases and pyrotechnics, yet at the heart of the piece lies the composer's signature clarity and precision, making the work an ideal coupling for his 18th century Viennese compatriot Mozart's great E-flat major concerto of 1785.
Bringing to light another of Hans Gál's gorgeously melodic and finely crafted scores, AVIE presents the world premiere recording of the Austrian émigré's Concerto for Piano and Orchestra with English pianist Sarah Beth Briggs supported by Gál aficionado Kenneth Woods conducting the Royal Northern Sinfonia. Written in 1948, Gál's large-scale romantic concerto abounds with sweeping phrases and pyrotechnics, yet at the heart of the piece lies the composer's signature clarity and precision, making the work an ideal coupling for his 18th century Viennese compatriot Mozart's great E-flat major concerto of 1785.