Bobby Previte - Too Close to the Pole (1996/2020)
Artist: Bobby Previte
Title: Too Close to the Pole
Year Of Release: 2020
Label: Enja Records
Genre: Jazz, Contemporary Jazz
Quality: FLAC (tracks) / MP3 320 Kbps
Total Time: 01:14:26
Total Size: 478 Mb / 190 Mb
WebSite: Album Preview
Tracklist: Title: Too Close to the Pole
Year Of Release: 2020
Label: Enja Records
Genre: Jazz, Contemporary Jazz
Quality: FLAC (tracks) / MP3 320 Kbps
Total Time: 01:14:26
Total Size: 478 Mb / 190 Mb
WebSite: Album Preview
1. Too Close To The Pole 4:14
2. 3 Minute Heels 13:00
3. The Countess' Bedroom - From The Opera "The Queen Of Spades" 8:22
4. Save The Cups 7:31
5. The Eleventh Hour 14:16
6. Too Close To The Pole (Reprise) 8:30
Box End, Open End [Hidden Tracks] (16:02)
7.1. (Untitled 1) 4:26
7.2. (Untitled 2) 0:36
7.3. (silence) 0:07
7.4. (Untitled 3) 5:44
7.5. (Untitled 4) 1:57
7.6. (silence) 0:16
7.7. (Untitled 5) 2:56
Personnel:
Alto Saxophone, Bass Clarinet – Andrew D'Angelo
Baritone Saxophone, Clarinet, Flute, Voice – Andy Laster
Drums, Voice, Producer, Arranged By – Bobby Previte
Electric Bass, Tin Whistle, Voice – Lindsey Horner
Piano, Electric Piano [Fender Rhodes], Organ [Hammond], Clavinet, Voice – Jamie Saft
Trombone, Voice – Curtis Hasselbring
Trumpet, Voice – Cuong Vu
From its opening eccentric fanfare (which pops up briefly in other selections) through the wild group vocal on "Save the Cups" and "3 Minute Heels" (which sounds like Indian music for belly dancers), drummer Bobby Previte's Weather Clear, Track Fast band on this Enja release is continually colorful, cinematic (one can easily imagine crazy adventures occurring), and unpredictable. Although quite advanced, the expert use of repetition, complex but catchy rhythms, and echoey call-and-response riffing results in a complete lack of forgettable or routine moments. In addition to the six listed selections, there is an odd extra "bonus": an unidentified seventh song that is a five-part, 15-minute suite mostly featuring Andrew D'Angelo's bass clarinet. Although there are strong individual heroics from the sextet (such as Jamie Saft's organ and retro Fender Rhodes playing, Andy Laster's versatile flights on baritone, and Previte's stirring percussive work), it is the chance-taking spirit of the musicians and their performances as a whole that make this a memorable release well worth several listens.